"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.

"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.

"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.

"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.

"Where do you want 'em?" Doug'n'David (of <I>Stereophile</I>'s shipping and receiving, not your favorite morning drive-time talk radio co-hosts) had just wrestled over 500 lbs of cocooned Wilson WITT loudspeakers onto the floor of my garage. Like the Thiel CS7s I had parted with just a few weeks earlier, the WITTs came packed in solid, heavy wooden crates. The pained expressions on Doug'n'David's faces indicated that it was time for me to start reviewing minimonitors! The unpacking went more smoothly than I expected, but this is clearly a pair of loudspeakers that demand to be delivered, uncrated, and set up by a dealer.

We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&amp;W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.

We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&amp;W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.

We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&amp;W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.

We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&amp;W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.

We all know it's impossible to reproduce live music. An obvious statement, no doubt, and one that holds every audiophile hostage to the never-ending search. As a musician, I find the situation especially frustrating. The constant reminder of live <I>vs</I> reproduced makes living with an audio system a serious compromise, regardless of price or quality. About three and a half years ago, however, I reviewed a product which I felt, and still feel, offers the first real glimpse of that impossible dream: the <A HREF="http://www.stereophile.com/floorloudspeakers/506">B&amp;W 801 Matrix Monitor</A> (footnote 1). Although it wasn't perfect, I found this speaker provided more musical honesty than anything I had heard before. In this respect, it established a new standard by which others would be judged.