I'd encountered the pairing of room sponsor Nordost with VTL electronics and Stenheim loudspeakers in this very same room last year. But this time, with one more year to learn how to tame an extremely large, semi-intractable listening space, set-up wizard Stirling Trayle scored a bullseye.

As much as I was aware of the dizzying array of diminutive, Korean-made SOtM (Soul Of the Music) components, each identified by a different difficult-to-type assortment of upper and lower case letters plus numbers and dashes, I did not expect them to sound as good as they did. Allied to K Sound Lab's Callas Nostalgia Jr. loudspeakers ($26,990/pair), manufactured by a 25-year old company that is reportedly well known in Korea, the system displayed lovely colors, a rounded midrange, and enviable clarity on a file of "I am at Ease in the Arms of a Woman."

Add the phrase, "with extended low bass" and you've got a sense of the sound in the Krell room. Paired with Magico A5 loudspeakers ($28,000/pair), Krell's Vanguard DAC ($7500), KSA-i400 stereo amplifier ($36,500), and Anti-Cables, the system produced deep bass drums with excellence.

There were no surprises in the two adjacent MBL rooms jointly presented with Kyomi Audio. Sitting in the sweet spot before the big system, spaciousness and transparency were superb on an older modern instrument recording of Bach's Concerto for Oboe and other instruments. Ditto for Dolly Parton's adorable "Love is Like a Butterfly," which sounded simply and utterly beautiful.

VANA CEO Roy Feldstein worked a room at AXPONA, no bells and whistles, no crazy demos or static displays. Roy simply plays the kind of solid gear that he excels in distributing, including European Audio Team (EAT), Kyomi Audio, Grimm Audio, Atlas Cables, Ferrum, Jorma and Marten loudspeakers, and Rekkord turntables.

A classic American brand, as flag-waving as the Fourth of the July, with an impressive history as a US industrial giant, all ears perk up when new JBL product is announced. Today's declaration brought to you by AXPONA: the new JBL 4329P Studio Monitor ($4500/pair).

Robert Schryer reviewed the KLH Model Three ($1799/pair) in December 2022; I reviewed the KLH Model Five ($1998/pair) in September 2021—we each loved our respective pairs.

There's something honest and immediate about the revived KLH lineup; it feels right, looks right—"mid-century modern!" says Don Draper—and most importantly, sounds right. These are no-nonsense transducers that make exceptional music with most upstream components.

As I continue work on a follow-up review of the Next-Gen Power Supply Upgrade to the Innuos Statement music server and streamer ($21,700), Innuos has released its new Pulsar Network music player + USB reclocker ($6899). A stripped-down version of the flagship Statement, the Pulsar lacks both a ripper and internal storage. What it boasts instead is over 130,000µF of Mundorf capacitors, a large high-end inductor, and an audio-grade, 300VA toroidal transformer. The Pulsar favors its optimized USB output with reclocking over its non-dedicated USB, and lacks S/PDIF and AES/EBU outputs.

Several surprises awaited in the AXPONA room sponsored by Gary Leeds's Hear This, North American distributor of WestminsterLab, and Von Schweikert Audio in association with Lampizator, NA and Small Green Computer. (Bonus points if you can read that out loud on one breath.) First was the "hard launch" of equipment from WestminsterLab: the Rei monoblock ($32,900/pair), which despite the title is not recommended for summer hikes in Yosemite, and Quest balanced preamplifier with full carbon-fiber component shielding upgrade ($25,100, or $22,900 in basic configuration). Next were the speakers—not the usual behemoths usually transported to shows by Von Schweikert Audio, but rather their smaller Endeavor SE ($27,000/pair plus eight Critical Mass Systems footers that cost $650 each).

Halfway through Day 1 of AXPONA 2023, it became clear once again that JDEvents has the staff and expertise to mount a large show with ease. While I'm sure there were a few rough patches, none of which I encountered, Deanna Tursellino's smiling face at one of several "Help" tables scattered throughout the show reflected the seeming ease with which the Fairfield, CT-based company's team of 15 assisted exhibitors and visitors alike.