Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

Can a piece of studio gear find happiness on an audiophile's equipment stand? More important, can an audiophile derive satisfaction from its sound?

New York’s outdoor concert season is in full swing and I happened to catch a couple pretty wonderful shows, one free and just the opposite the other night.

Hey everybody! As we like to say around here in the office, it's "Happy Friday!" For alliterative purposes, let's call it "Fiery Furnaces Friday." <a href="http://www.thefieryfurnaces.com/site/">The Fiery Furnaces</a> have something up their sleeve, and I don't know what it's all about, but I'm betting that's it's good. I bet there are a lot of words involved. But, perhaps, no sound. A lot of alliteration, too. The Fiery Furnaces are good at that.

Norway's Hegel Music Systems has made its way to the US market. I met Hegel and the company's charming founder, Bent Holter, at the <a href=" http://blog.stereophile.com/ces2007/010907set/">2007 Consumer Electronics Show</a> and then again in Las Vegas during <a href=" http://blog.stereophile.com/ces2008/011208top/">the following year</a>. On both occasions, I had a lot of fun listening to music and learning about Holter's designs. As I wrote last year, I was instantly attracted to the designer's combination of tech-talk and passion for music. The guy is at once serious and totally wacky.