Although I'll be spending most of my time at <I>Stereophile</I> reviewing affordable gear, I will from time to time examine so-called "trickle-down" designs from high-end designers who have made their mark in the upper-price echelons. More and more, such designers are taking what they've learned and applying it to less-expensive products in order to broaden their customer base. Cary Audio Design, for example, of single-ended triode fame, has entered the ring with the SLM-100 pentode monoblocks.

Although I'll be spending most of my time at <I>Stereophile</I> reviewing affordable gear, I will from time to time examine so-called "trickle-down" designs from high-end designers who have made their mark in the upper-price echelons. More and more, such designers are taking what they've learned and applying it to less-expensive products in order to broaden their customer base. Cary Audio Design, for example, of single-ended triode fame, has entered the ring with the SLM-100 pentode monoblocks.

Although I'll be spending most of my time at <I>Stereophile</I> reviewing affordable gear, I will from time to time examine so-called "trickle-down" designs from high-end designers who have made their mark in the upper-price echelons. More and more, such designers are taking what they've learned and applying it to less-expensive products in order to broaden their customer base. Cary Audio Design, for example, of single-ended triode fame, has entered the ring with the SLM-100 pentode monoblocks.

Although I'll be spending most of my time at <I>Stereophile</I> reviewing affordable gear, I will from time to time examine so-called "trickle-down" designs from high-end designers who have made their mark in the upper-price echelons. More and more, such designers are taking what they've learned and applying it to less-expensive products in order to broaden their customer base. Cary Audio Design, for example, of single-ended triode fame, has entered the ring with the SLM-100 pentode monoblocks.

During the past 10 years, perfectionist audio has garnered for itself an impressive accretion of lore, much of which has never been accepted by the so-called scientific community.

During the past 10 years, perfectionist audio has garnered for itself an impressive accretion of lore, much of which has never been accepted by the so-called scientific community.

<B>TIM BUCKLEY: <I>Dream Letter (Live in London 1968)</I></B><BR>
Tim Buckley, vocals, 12-string; Lee Underwood, guitar; David Friedman, vibes; Danny Thompson, bass<BR>
Enigma Retro/Straight 73507-2 (2 CDs only). Bill Inglot, Lee Hammond, prods.; Bill Inglot, Ken Perry, John Strother, engs. AAD. TT: 116:42