Nothing convinces more than a fabulous recording wonderfully reproduced. Wilson Audio scored big time when it engaged recording engineer Peter McGrath as its marketing VP. McGrath's recordings are legendary. When sourced from master hi-res computer files, played back using the superior Amarra Music Server software, they're pretty riveting.

For those of us with DACs that lack USB and/or FireWire inputs, getting uncompromised, full-range sound out of our computers is a bit of a challenge. There are a number of interfaces on the market, but most are slaved to the computer's inferior clock. I've tried one of these, and it conveys neither the bass nor the clarity of my transport.

Okay, boys and girls, does size really matter? Certainly in the case of Legacy Loudspeaker Systems. These $46,000/pair behemoths, which dwarf Legacy President Bill Dudleston, possess tremendous authority below the belt, and project an image big enough to do justice to a full symphonic orchestra. It was hard to get all the details down amidst the din leaking in from other rooms, but I'm pretty sure their lower 15" sealed woofer is driven by its own 1000W module, while everything else, including the open-air top 15" woofer, is driven by external amplification.

Thanks to a first-time alliance between RMAF and Head-Fi.org, the Denver Marriott Tech Center's large Event Center was ringed with exhibits and displays from headphone component manufacturers and Head-Fi community members. Strategically positioned at the show's entrance, for example, was JH Audio's custom in-ear monitor booth, which proclaimed, "We call it the JH|13 Pro—You'll Call it Aural Sex." Thank God they didn't come right and say, "We give you know what."

It's hard enough to take a good photo when your subject is rapt in conversation. But when your subject is Michael Fremer, and his subject is Turntable Set-Up, the challenge is immense. Standing before a packed house of analog devotees, Michael was so animated, and so filled with information, that even my camera had a tough time staying still.

Just back from seeing the Bobby Bradford Quintet, featuring David Murray, one highlight among many of the Dave Douglas-curated New Trumpet Music Festival at the Jazz Standard in New York City. One of the most invigorating sets of jazz I've seen in a long time, the sort of exuberant, "free" but highly disciplined music that the city heard plenty of in the 1980s through mid-'90s but rarely anymore. More about that later. Meanwhile, the quintet expands to an octet tomorrow (Sunday, Oct 4). I can't make it, but if you can, get tickets now!

There was a time when Harry Pearson, founder of <I>The Absolute Sound</I> and one of the high-end's true living legends, rarely ventured from the confines of his kingdom at Seacliff, Long Island. Rather than trolling for equipment at shows like countless other audio reviewers, he invited manufacturers to come to him. Flock they did, hoping that their equipment and set-up expertise would warrant a sales-insuring rave or Golden Ear from HP.

I thought I was seeing a familiar sight when I went into the RMAF room shared by Dynaudio, Wadia, and XLO. The loudspeakers, driven by humongous Octave monoblocks, appeared to be larger versions of the Accent 3 that <A HREF="http://stereophile.com/floorloudspeakers/789dyn3/">Dick Olsher reviewed</A> for <I>Stereophile</I> in the 1980s. There were more drive-units but as in the earlier design, the tweeter was placed at the bottom of the front baffle. This is the Consequence Ultimate Edition ($70,000/pair) explained Dynaudio president Wilfried Ehrenholz. The original Consequence was launched as the Danish company's flagship 25 years ago at the then astronomical price of 30,000DM/pair and has sold some 2500 pieces since then, even though it was not promoted in any major way after the mid-1990s.