In the beginning, I had a room adjacent to my office—a room filled with bicycles, hi-fi gear, and assorted crap I'd never gotten around unpacking since our last move. Feeling ambitious, I thought I might turn it into a guest room, and emptied it.

Revolver? More like <I>evolver</I>: 80 years after the first electrically driven record players became available, professional and amateur engineers continue to seek new ways to spin LPs with ever-greater steadiness and precision.

Revolver? More like <I>evolver</I>: 80 years after the first electrically driven record players became available, professional and amateur engineers continue to seek new ways to spin LPs with ever-greater steadiness and precision.

Revolver? More like <I>evolver</I>: 80 years after the first electrically driven record players became available, professional and amateur engineers continue to seek new ways to spin LPs with ever-greater steadiness and precision.

Revolver? More like <I>evolver</I>: 80 years after the first electrically driven record players became available, professional and amateur engineers continue to seek new ways to spin LPs with ever-greater steadiness and precision.

In the January 2010 issue of <I>Stereophile</I> I <A HREF="http://www.stereophile.com/integratedamps/marantz_pm5003_integrated_amp… effusively</A> about the $450 Marantz PM5003 integrated amplifier. Not only was I impressed with the sound, build quality, and features of this very affordable component, but, intrigued by how it might be combined with other gear to build a complete entry-level system for about a thousand bucks, I began to ponder other entry-level components that might nicely complement it. My goal here, of course, is to inspire a new generation of young audiophiles. I felt a turntable would be a good place to start.

In the January 2010 issue of <I>Stereophile</I> I <A HREF="http://www.stereophile.com/integratedamps/marantz_pm5003_integrated_amp… effusively</A> about the $450 Marantz PM5003 integrated amplifier. Not only was I impressed with the sound, build quality, and features of this very affordable component, but, intrigued by how it might be combined with other gear to build a complete entry-level system for about a thousand bucks, I began to ponder other entry-level components that might nicely complement it. My goal here, of course, is to inspire a new generation of young audiophiles. I felt a turntable would be a good place to start.

In the January 2010 issue of <I>Stereophile</I> I <A HREF="http://www.stereophile.com/integratedamps/marantz_pm5003_integrated_amp… effusively</A> about the $450 Marantz PM5003 integrated amplifier. Not only was I impressed with the sound, build quality, and features of this very affordable component, but, intrigued by how it might be combined with other gear to build a complete entry-level system for about a thousand bucks, I began to ponder other entry-level components that might nicely complement it. My goal here, of course, is to inspire a new generation of young audiophiles. I felt a turntable would be a good place to start.

In the January 2010 issue of <I>Stereophile</I> I <A HREF="http://www.stereophile.com/integratedamps/marantz_pm5003_integrated_amp… effusively</A> about the $450 Marantz PM5003 integrated amplifier. Not only was I impressed with the sound, build quality, and features of this very affordable component, but, intrigued by how it might be combined with other gear to build a complete entry-level system for about a thousand bucks, I began to ponder other entry-level components that might nicely complement it. My goal here, of course, is to inspire a new generation of young audiophiles. I felt a turntable would be a good place to start.

In February 2009, I reviewed Bryston Ltd.'s first CD player, the $2695 BCD-1, and was very impressed by what I heard. The BDA-1 ($1995) is the Canadian company's first standalone DAC. It's slim, only 2.75" high, with the engraved company name, model number, and infrared sensor grouped at the extreme left of a front panel of polished aluminum. Farther to the right are two columns of four LEDs each that comprise the sample-rate indicator, which identifies the selected input's signal frequency and whether the BDA-1 has locked to it. Closer to the center is the Upsample control, which governs the conversion of the incoming digital signal synchronously to 192kHz or 176.4kHz. The Upsample LED turns green for 192kHz, red for 176.4kHz. Digital sources are selected by pressing one of eight pushbuttons just right of center: two TosLink, four S/PDIF (coaxial), one AES/EBU XLR, and one USB 1.1, the last accepting only signals with sample rates at or below 48kHz. An LED above each pushbutton lights green for an incoming PCM datastreams and red for other types, including multichannel Dolby Digital streams.