Almost every assumption you might make about Vienna Acoustics' Klimt The Kiss loudspeaker by looking at it would be wrong. It is <I>not</I> a stand-mounted two-way loudspeaker. It's a three-way, with a coincident tweeter-midrange. And that ain't no stand&#151;it's an integral part of the speaker. It does <I>not</I> have a conventional cabinet&#151;there are two separate enclosures, complete with micrometer control of both vertical and horizontal axes. And those sure aren't plain-vanilla drive-units&#151;they're about as unique as they come.

Almost every assumption you might make about Vienna Acoustics' Klimt The Kiss loudspeaker by looking at it would be wrong. It is <I>not</I> a stand-mounted two-way loudspeaker. It's a three-way, with a coincident tweeter-midrange. And that ain't no stand&#151;it's an integral part of the speaker. It does <I>not</I> have a conventional cabinet&#151;there are two separate enclosures, complete with micrometer control of both vertical and horizontal axes. And those sure aren't plain-vanilla drive-units&#151;they're about as unique as they come.

Almost every assumption you might make about Vienna Acoustics' Klimt The Kiss loudspeaker by looking at it would be wrong. It is <I>not</I> a stand-mounted two-way loudspeaker. It's a three-way, with a coincident tweeter-midrange. And that ain't no stand&#151;it's an integral part of the speaker. It does <I>not</I> have a conventional cabinet&#151;there are two separate enclosures, complete with micrometer control of both vertical and horizontal axes. And those sure aren't plain-vanilla drive-units&#151;they're about as unique as they come.

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Music, for example. Buying music is an investment.<br>
To get the maximum you must