Leema Acoustics’ Mark Perfect dwarfs the little Leema Xero ($1400/pair), driven by Leema’s own Tucana II 150Wpc integrated amplifier ($8000) and Antila Multi-DAC CD player ($6000), all producing a surprisingly BIG sound with tightly focused images placed within a fairly wide and deep soundstage. Perfect explained that Leema takes its name from design partners Lee Taylor and Mallory Nicholls, recording studio engineers who met during their tenure at the BBC. Designed and manufactured in Wales, the Leema Zero uses custom-made Audax drive units, and has a rated sensitivity of 85dB.

I walked into Jay Rein’s Bluebird Music room and was immediately taken by the hard-rocking sound of Led Zeppelin’s “Moby Dick,” reproduced with appropriate drama, impact, and scale. Here we see Rein standing beside Spendor’s new A9 loudspeaker ($7295/pair). Introduced at this year’s Bristol Show, the A9 made its North American debut at SSI 2010, and sounded excellent, driven by Exposure’s new 3010S2 series: 100W monoblocks ($2595/pair), preamp ($1395), and CD player ($2195). The S2 series replaces Exposure’s Classic line and represents a 50% power increase for one-third less money, Rein told me. Van den Hul’s D352 speaker cables and D102 interconnects ($929) tied this impressive system together.

Klaro Audio debuted its Summus loudspeaker ($3300/pair CAN), designed and manufactured in Montreal. This compact floorstander stands 36” H by 6.5” W by 10” D, and has a rated efficiency of 89dB; it uses single-wire binding posts from Furutech and its Russian Birch Plywood cabinet is available in Piano Black, Cherry, Mahogany, Tasso Brown, or Terra Natural finishes. Mated to the CEC TL51XR belt-drive CD player ($2200), Jadis JS1 Mk.III DAC with separate power supply ($18,000), and Jeff Rowland Continuum integrated amplifier, the Klaro Summus, pictured here with Jacintha looking on, impressed me with its large, smooth sound.

Leben Hi-Fi’s CS600 integrated amplifier ($5895), distributed by Tone Imports, produces 32Wpc and is a gorgeous piece of art, recalling the industrial design of 1950s and 1960s American hi-fi. We didn’t listen to the CS600 at SSI 2010, but I had a lot of fun just looking at it. Watch out for John Marks’ review in our June issue.