Diskonife: Audible Spirits; John Coltrane With Eric Dolphy: Evenings at the Village Gate; Joe Henderson: The Complete "An Evening with Joe Henderson"; Matt Otto: Kansas City Trio.

Dvořák: Takács Quartet; Johan Dalene/Christian Ihle Hadland: Stained Glass; Herrmann: Wuthering Heights Suite & Echoes for Strings

Pet Shop Boys: Smash: The Singles 1985–2020; R.E.M.: Around the Sun and Collapse Into Now; Hot Tuna: Live at Sweetwater 1, Live at Sweetwater 2, Live in Japan.

The finest soup I ever tasted was served in Kamakura City, Japan, in 1992. After climbing a mountain to a shrine that held a lock of Buddha's hair, I descended to Kamakura and walked to its Great Bronze Buddha. By the time I had taken my fill of the image's 730-year-old wonders and the countless picture-taking tourists at its base—a mild precursor to "the world is a backdrop for my ego" snappers of the smartphone age—I noticed that my stomach was growling.

Exhausted, I walked back into town and descended stairs into a conveniently located corner restaurant. I had to eat fast because my train back was departing soon. Looking for something quick, I ordered miso soup and eel over rice. Imagine my surprise when I found myself gazing into the most wondrous bowl of soup I'd ever seen. Floating on top of its clear, brown broth were various vegetables and herbs, each perfectly positioned in relationship to the other, as in a handcrafted textile. I felt as though I'd been granted private access to a great work of art.

What does this have to do with the Electrocompaniet AW 800 M Reference power amplifier ($22,500/each) that is the subject of this review? You'll have to read on to find out.

With a system like this, Thoreau would never have gone into the woods to begin with.

Last weekend, I visited an old friend who lives near Walden Pond of Henry Thoreau fame. I hadn't visited him since before the pandemic. He had just finished adding a wing to his house that included a dedicated hi-fi listening room the size and shape of a small church. Below a cathedral ceiling, the sweet spot featured seating for no fewer than 30 guests. Besides serving as his main listening room—he has another one that's smaller—it serves as a large residential parlor with a baby grand piano for use in chamber music performances, which feature prominently in his and his wife's social calendar.

It was a high-SPL thrill to experience his towering, field-coiled RCA theater horns powered by RCA 845 amplifiers.