Hey guys, I've been reading a bunch of the forums posts here trying to put together a good but inexpensive first system. I've always been a bit of an audiophile, but I've never actually had the money to purchase anything. Now that I'm out of school, I do have just a bit of money to spend. I've been going to the local stores and have been listening to some of the sound systems they have set up.
I'd kind of like this setup, but I'd like to hear your thoughts on the selection, before I make any decisions
Mark Levinson No.30 Reference Digital Processor Specifications
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Mark Levinson No.30 Reference Digital Processor Measurements
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Mark Levinson No.30 Reference Digital Processor Review System
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Mark Levinson No.30 Reference Digital Processor Robert Harley again June 1993
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Mark Levinson No.30 Reference Digital Processor Page 5
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Mark Levinson No.30 Reference Digital Processor Page 4
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Mark Levinson No.30 Reference Digital Processor Page 3
Over the past two and a half years, I've auditioned and reviewed a number of digital audio products. It has been a fascinating experience both to watch digital playback technology evolve and to listen to the results of various design philosophies. The road to more musical digital audio has been a slow and steady climb, with occasional jumps forward made possible by new techniques and technologies. Making this odyssey even more interesting (and confounding), digital processors seem to offer varying <I>interpretations</I> of the music rather than striving toward a common ideal of presenting what's on the disc without editorial interjection.
Hey guys, I've been reading a bunch of the forums posts here trying to put together a good but inexpensive first system. I've always been a bit of an audiophile, but I've never actually had the money to purchase anything. Now that I'm out of school, I do have just a bit of money to spend. I've been going to the local stores and have been listening to some of the sound systems they have set up.
I'd kind of like this setup, but I'd like to hear your thoughts on the selection, before I make any decisions