In a way, you could say that Meridian started the now epidemic practice of modifying stock CD players (usually of the Philips-Magnavox species). The original Meridian player, the MCD, was a reworking of the first-generation Philips and was <A HREF="http://www.stereophile.com/cdplayers/285meridian">praised by J. Gordon Holt</A> in these pages in his 1985 review (Vol.8 No.2). The Meridian Pro (Vol.8 No.6) won similar plaudits, and is still to be seen lurking in JA's system. And the original 207 was well-received by MC in Vol.10 No.3.

In a way, you could say that Meridian started the now epidemic practice of modifying stock CD players (usually of the Philips-Magnavox species). The original Meridian player, the MCD, was a reworking of the first-generation Philips and was <A HREF="http://www.stereophile.com/cdplayers/285meridian">praised by J. Gordon Holt</A> in these pages in his 1985 review (Vol.8 No.2). The Meridian Pro (Vol.8 No.6) won similar plaudits, and is still to be seen lurking in JA's system. And the original 207 was well-received by MC in Vol.10 No.3.

In a way, you could say that Meridian started the now epidemic practice of modifying stock CD players (usually of the Philips-Magnavox species). The original Meridian player, the MCD, was a reworking of the first-generation Philips and was <A HREF="http://www.stereophile.com/cdplayers/285meridian">praised by J. Gordon Holt</A> in these pages in his 1985 review (Vol.8 No.2). The Meridian Pro (Vol.8 No.6) won similar plaudits, and is still to be seen lurking in JA's system. And the original 207 was well-received by MC in Vol.10 No.3.

Snickering was heard from the major consumer electronics purveyors when California Audio Labs came out with the <A HREF="http://www.stereophile.com/cdplayers/654">original Tempest</A>, their first CD player using tube output stages. But not from the audiophile community. It was, all things considered, an inevitable product; I'm certainly not the only one who wondered&#151;before the emergence of California Audio Labs&#151;who would be the first to build such a unit. The obvious candidates were Audio Research or Conrad-Johnson. But those companies apparently read the audio tea-leaves and, perhaps perceiving the early high-end hostility toward the new format, apparently decided to bide their time. (With regards to tube players, they're still biding it, though C-J has had a prototype player up and running for some time.)

Snickering was heard from the major consumer electronics purveyors when California Audio Labs came out with the <A HREF="http://www.stereophile.com/cdplayers/654">original Tempest</A>, their first CD player using tube output stages. But not from the audiophile community. It was, all things considered, an inevitable product; I'm certainly not the only one who wondered&#151;before the emergence of California Audio Labs&#151;who would be the first to build such a unit. The obvious candidates were Audio Research or Conrad-Johnson. But those companies apparently read the audio tea-leaves and, perhaps perceiving the early high-end hostility toward the new format, apparently decided to bide their time. (With regards to tube players, they're still biding it, though C-J has had a prototype player up and running for some time.)

Snickering was heard from the major consumer electronics purveyors when California Audio Labs came out with the <A HREF="http://www.stereophile.com/cdplayers/654">original Tempest</A>, their first CD player using tube output stages. But not from the audiophile community. It was, all things considered, an inevitable product; I'm certainly not the only one who wondered&#151;before the emergence of California Audio Labs&#151;who would be the first to build such a unit. The obvious candidates were Audio Research or Conrad-Johnson. But those companies apparently read the audio tea-leaves and, perhaps perceiving the early high-end hostility toward the new format, apparently decided to bide their time. (With regards to tube players, they're still biding it, though C-J has had a prototype player up and running for some time.)

Snickering was heard from the major consumer electronics purveyors when California Audio Labs came out with the <A HREF="http://www.stereophile.com/cdplayers/654">original Tempest</A>, their first CD player using tube output stages. But not from the audiophile community. It was, all things considered, an inevitable product; I'm certainly not the only one who wondered&#151;before the emergence of California Audio Labs&#151;who would be the first to build such a unit. The obvious candidates were Audio Research or Conrad-Johnson. But those companies apparently read the audio tea-leaves and, perhaps perceiving the early high-end hostility toward the new format, apparently decided to bide their time. (With regards to tube players, they're still biding it, though C-J has had a prototype player up and running for some time.)

<B><I>YSA&#159;E KREISLER BACH</I></B><BR>
J.S. Bach: Partita No.2, BWV 1004, Kreisler: Recitativo &amp; Scherzo, Op.6, Ysa&#255;e: Sonata, Op.27 No.2<BR>
Arturo Delmoni, violin<BR>
Water Lily Acoustics WLA-WS-07 (LP), WLA-WS-07-CD (CD). Kavichandran Alexander, eng., prod. AAA/AAD. Subsequently released on CD as John Marks Records CD JMR 14G (footnote 1). TT: 48:03