Listening #92 Page 2

Listening #92 Page 2

Over the years, <I>Stereophile</I> and its writers have been taken to task for doing, thinking, and saying any number of things. We've been raked over the coals for enjoying acoustic music, electric music, old music, new music, light music, serious music, and music God put here as a test, just to see if we're smart enough to hate it. We've been taken to the woodshed for comparing new products to known references; for failing to compare new products with known references; for borrowing known references for the purpose of such comparisons; for taking advantage of professional discounts so that we can buy and keep known references for the purpose of such comparisons; for being out-of-touch na&Ocirc;fs who haven't owned enough gear in our lives to know anything about anything; and for being spoiled, materialistic pigs who have owned so many things that we've lost touch with The Common Man. We've been assaulted for loving analog, dissed for loving digital, tasered for loving tubes, sucker-slapped for loving solid-state, and mauled for loving mono. We've even been impeached, indicted, secretly reassigned to a new diocese, and flown back to Russia without an adult guardian for being overly concerned with current events.

Listening #92

Listening #92

Over the years, Stereophile and its writers have been taken to task for doing, thinking, and saying any number of things. We've been raked over the coals for enjoying acoustic music, electric music, old music, new music, light music, serious music, and music God put here as a test, just to see if we're smart enough to hate it. We've been taken to the woodshed for comparing new products to known references; for failing to compare new products with known references; for borrowing known references for the purpose of such comparisons; for taking advantage of professional discounts so that we can buy and keep known references for the purpose of such comparisons; for being out-of-touch naïfs who haven't owned enough gear in our lives to know anything about anything; and for being spoiled, materialistic pigs who have owned so many things that we've lost touch with The Common Man. We've been assaulted for loving analog, dissed for loving digital, tasered for loving tubes, sucker-slapped for loving solid-state, and mauled for loving mono. We've even been impeached, indicted, secretly reassigned to a new diocese, and flown back to Russia without an adult guardian for being overly concerned with current events.

Cary Audio Design Classic CD 303T / Michael Fremer

I read the review of the 303T and noted the usual glowing praise, then noted with interest the problems JA found with CD playback in his measurements section. Then I had a thought, went back and checked for the author... and it was MF.

I think this is the third time in the last ~2-3 years that I have read an MF review of a piece of equipment that had a basic, measureable flaw - yet he raved about the equipment as if there was nothing wrong. That leaves JA in the unenviable position of having to write something that acknowledges the problem without overtly criticising MF.

If you use a computer/server, what software do you use on your computer for music playback (iTunes, Songbird, Foobar, etc)?

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Whether or not they have a vinyl or CD collection, many audiophiles use a computer or dedicated music server to play music. If you use a computer/server, what software do you use on your computer for music playback (iTunes, Songbird, Foobar etc.)?

BlueCoast downloaded Hirez files

Keld and I have been discussing this, but we would like to know what YOU are thinking about the quality of these 2496 downloads? Or maybe you haven't bothered at all?

Could this be the new hirez future, an ITunes for audiophiles as it were? Done by the labels themselves with no one in between?

I have burned DVDs of my downloads and played them in every DVD player in my home. Very nice.

What do you think?

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