Since my earliest visits to the <I>Stereophile</I> Show, well before I began writing for the magazine, I have always left Jeff Joseph's speaker displays with a smile on my face. This show was no different. Displaying the lovely Joseph Audio Pulsar ($7,000/pair) with not-yet-released-or-priced Pulsar stands, the combo with Ayre electronics (including the QB-9 USB DAC&#151;$2750) and Cardas Clear cabling was a joy.

Philip Bamberg's Bamberg Audio was playing the Series 5 TMW ($8800/pair) and displaying the Steries 2 TMM ($4800/pair) when I entered. The 5 is a 3-way design with a 375W active woofer, parametric EQ, and separate monitor. It is said to descend flat to 25Hz, and down to 18Hz &#150;6dB.

After years of searching for the right speakers to match deHavilland electronics, Kara Chaffee of Vancouver, WA has happily alighted on the ultra-efficient Sonist line. It's a wonderful match.

For many of us in the press, RMAF 2010 began with VTL's well-orchestrated press breakfast launch of the new MB-450 Series III monoblocks ($18,000/pair) and TL7.5 Series III preamplifier ($20,000). Speaking before a full house that included representatives from <I>Stereophile</I>, <I>The Absolute Sound</I>, <I>Positive Feedback On-Line</I>, <I>Enjoy the Music</I>, and many other media outlets, VTL's Luke Manley explained that the Series III is VTL's first fully balanced amplifier.

Lest anyone think that we at <I>Stereophile</I> don't pay attention when manufacturers speak, take a look at Stephen Mejias, virtually mesmerized by Luke Manley's energetic and ever-enlightening prose. Also pictured, Steven Rochlin of <I>Enjoythe Music</I>, Peter McGrath of Wilson Audio, and the empty chair and scattered detritus of the photographer-in-action.

That's sure how it felt when I waded through the mob at the registration table. Graced by the presence of William Togno, a fellow member of the San Francisco Bay Area Audiophile Society, the registration table was swamped a good 90 minutes before the show opened on Friday. There were so many people packing into the elevators to the five floors of exhibits in the Denver Marriott Tech Center Tower that the elevator frequently refused to move; when it finally got up the courage to ascend, it alighted on each floor with a huge thump. Scary.

Attendees were treated to a fine demonstration in the Amarra room. A system featuring Focal loudspeakers and Parasound amplification was used to demonstrate the benefits of the Amarra music player software. On a desk between the loudspeakers and beside a Mac laptop was a screen, and on the screen were slides which contained simple talking points:

Win Analog's audacious amplifiers are made to be played in the dark.

Win Analog’s S Series-833 100W monoblock power amplifier (in the rear of this image) was designed to be “a statement product, both sonically and visually,” sales director John Dark explained. The amps measure 18” x 24” x 19” and weigh 200lbs. Its aluminum chassis panels are CNC-milled, 0.375” thick. That colossal tube in the center of the chassis is an RCA 833, originally employed as a radio transmitter. Dark says it was chosen here for its “very, very liquid sound.”

In his <a href="http://blog.stereophile.com/rmaf2010/jumping_cactus_loudspeakers/">Jump… Cactus room</a>, James Harrell has put together a very fun system, and one that promises to be unlike anything else here in Denver.