This story originally appeared at InnerFidelity.com
I've spent a lot of time with good balanced armature monitors stuck in my ears. Mostly it's a pleasure --- there are some darn good headphones out there of this type: Jerry Harvey Audio JH13, Shure SE530, Etymotic ER4P, and Audéo PFE come to mind. I've also spent a good bit of time with in-ear monitors that use dynamic drivers. That hasn't been nearly as pleasurable.
Lately, that's begun to change, and with the Sony MDR-EX600 and MDR-EX1000 I'm thinking we've got a real horse race on our hands.
I won’t be in the office tomorrow. I’ll be down in Hunterdon County, NJ, helping a very good friend set up a very special hi-fi system. This is big—BIG—news, but I can’t say anything else about it yet.
If I could attend just one music festival each year, it would be Iceland Airwaves, held October 1216, in downtown Reykjavik, Iceland. Launched in 1999 (in an airplane hangar!), Iceland Airwaves holds parties and performances in a handful of the city’s best venues and sets exciting local talent alongside outstanding international acts—all within a landscape of stunning beauty.
Cycles can be seen in the fortunes of companies. Likewise cycles can be seen in the performance of companies' products. A particular range will appear to have got it just right, whatever "it" is. The designer may have hit a winning streak and thus steal a lead over the competition. C-J set a new state-of-the-art preamp standard in the late '80s with their Premier Seven, and some of that expertise and experience are beginning to pay off in the shape of new high-performance preamplifiers at realistic prices. Moreover, the pressure was on to develop better power amplifiers to match. Two important products have emerged from all this in C-J's moderately priced FET range, namely the PF-1 preamplifier and the matching MF-200 power amp. By audiophile standards, these are moderately priced at $1295 and $1995, respectively.