Bless Len Miller of Soundstring Cable Technologies for providing me with a solid presentation of John Travolta's "Stayin' Alive." As my pace increased as I attempted to cover four floors in three days, this music became a mantra of sorts.

For audiophiles who may remember Legend Audio and their fascinating water-cooled amps, they have changed their name to Von Gaylord, and moved from Berkeley, CA to West Sacramento. Their sound has gotten even better in the process: lovely, warm, and refreshingly sweet, with eye and ear-opening sound staging, set far behind the speakers, and inviting air around images.

At the Irvine Hilton, T.H.E. Show Newport Beach offered hospitality suites from Sunny's Components, Positive Feedback Online, and the Los Angeles & Orange County Audio Society. Since the President of the latter is Bob Levi, the co-sponsor of T.H.E. Show, who not only thinks big and acts big, but also consistently delivers on his promises, the massive LA&OCAS commandeered two adjacent rooms on the fifth floor for its suite where Showgoers could chill out in a very effective manner.

Channel D's affable Rob Robinson was playing 24/192k LP rips made with Pure Vinyl with the Joseph Pulsar speakers ($7000/pair), which have just got a rave review in the June issue of Stereophile. "Listen to this," said Rob, lowering Pure Vinyl's virtual tonearm on to the image of an LP on the screen, and I heard some familiar-sounding music: it was a rip of Stereophile's 1990 Intermezzo album, which Rob had picked up at a European show.

Turning the bits into music in the Channel D room was this $2495 standalone D/A converter, the Hilo from high-end soundcard manufacturer Lynx. Offering USB2.0, ADAT, S/PDIF, and AES/EBU inputs, the Hilo features a 4.3" LCD touchscreen to allow navigation of its menu system as well as, when the music is playing, a choice of peak bargraph or VU meters, as shown here. The Hilo supports 24-bit word lengths and sample rates up to 192kHz and can be used with both Windows machines and Macs.

This bijoux little asynchronous USB DAC ($249), which uses an ESS Sabre DAC and Gordon Rankin's Streamlength code, made its public debut at Newport Beach. It was being demmed in one of retailer Optimal Enchantment's rooms with Audio Research amplification and Vandersteen Treo speakers. Add a PC or Mac, a 1m 3.5mm–dual-RCA Evergreen cable from AudioQuest ($29) and you're in business.

SimpliFi's Tim Ryan was demming the Gradient Revolution speakers and Bladelius amplification he had shown at the New York Show, but now with two pairs of dipole woofers. But pride of place in his room was the DSPeaker Anti-Mode 2.0 Dual Core processor from the VLSI company ($1099) shown in the photo. Tim was using the fully remote-controlled DSPeaker box as a D/A preamp—it has a volume control, shown on the front panel—but it can do so much more: digital-domain parametric equalization; digital room correction up to a user-selectable upper limit of 80Hz to 500Hz; it can even be used as a two-way digital-domain crossover with fully adjustable slopes and crossover frequencies. Kal Rubinson is scheduled to receive a sample for review forthwith.

The German AVM company has been around for a long time, but its products are new to the USA. AVM's Udo Besser was instrumental in bringing Burmester products to the US and now intends to do the same for AVM. Shown in my photo is the PA8 modular preamp (starting at $10,000), which can have various options, including a tubed output stage, added. Also on show was the ML8 Music Library, which has either 2TB of hard-drive storage or 600GB of solid-state storage, the CD8 CD player, and the 450Wpc SA8 amplifier.

The AVM electronics were being used to bi-amp the midrange and treble units of the enormous Legacy Helix speakers ($48,000/pair), which use 750W ICE-powered 15" subwoofers and a digital-domain crossover with room correction, like its smaller and less expensive cousin, the Whisper XD. The big speakers lack the Whisper's unique cardioid woofers, however. The classic Radka Toneef performance of Jimmy Webb's "The Moon is a Harsh Mistress" sounded suitably delicate, but the bass on Pink Floyd's "Another Brick in the Wall" sounded ponderous, due, I think, to the sub-optimal acoustics of the air-wall ballroom.

TAD premiered its new E1 floorstander ($29,800/pair) at the 2012 CES in January, but THE Show Newport Beach was the new speaker's first public outing. Trickling down the technology from TAD's massive Reference One (now being used for monitoring at London's famed AIR Studio) and Compact Reference CR 1, the E1 still uses a coaxial drive-unit with a beryllium-dome tweeter for the treble and midrange, but with the midrange cone now magnesium rather than beryllium.