Audeze LCD-X headphones

Audeze LCD-X headphones

I well remember my first "real" headphones: a pair of Koss Pro4AAs that I bought back in 1970. The Kosses were relatively expensive, but, like headphones today, they allowed an audiophile with limited cash to get a taste of high-end sound that was not possible with a speaker-based system. I bought the Pro4AAs because I had become fascinated with how the images of the instruments and singers were strung along a line between my ears inside my head. It seemed so much more intimate—a more direct connection with the music—than playback through loudspeakers.

The Purpose of Music?

The Purpose of Music?

Way back when, I met this maenad woman at Caffe Reggio in Greenwich Village and told her I was an artist. She told me she was an art collector and invited me to her loft to see her collection. While she was showing me an impressive assortment of African and contemporary art, she was dropping names: William Burroughs, Bob Marley, John Cage, etc. Hmmm . . . really? I spoke up. "Oh, I love John Cage. What was he like?"

Recording of March 2014: Concerts: Bregenz München

Recording of March 2014: Concerts: Bregenz München

Keith Jarrett's gift for brilliant invention is apparently inexhaustible throughout both of these concerts, recorded five days apart in spring 1981. The combinations of lyricism, literally foot-stomping gospel, chordings and voicings alternately sumptuously lush and astringently lean, and unexpected musical destinations reached in surprising ways, are here at least as rich as anything else he's done.

The AKG K812 Professional Reference Headphone

The AKG K812 Professional Reference Headphone

This story originally appeared at InnerFidelity.com

I like the K701 and variants; I like the K267 Tiesto; I like the K550 too; but no, I don't like the K812.

Woulda kept my mouth shut, but way too many people have asked me to chime in on these new headphones.

A Unique KEF Event

A Unique KEF Event

All photographs by Lily Szabo Photography and used with permission

Thursday February 13 was a day most of us in New York would have preferred to stay indoors. With 10” of snow falling since the night before, the Stereophile office closed, the roads in my neighborhood impassable, and public transport iffy at best, I really didn’t want to make the trek into Manhattan. But I did and was glad to have done so. English loudspeaker manufacturer KEF, represented by a team led by the company's brand ambassador Johan Coorg (above right), was promoting a unique event for the press at MSR Studios on 48th Street featuring legendary engineer and producer Ken Scott (above left).

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