Ethics and high-end audio have always been a tangled web---especially when it comes to deciding whether to purchase equipment from a helpful local dealer or trying to find the best price possible. In the web reprint of February 1999's "<A HREF="http://www.stereophile.com//thinkpieces/98/">The Final Word</A>," <I>Stereophile</I>'s publisher emeritus, Larry Archibald, examines a recent high-end purchase of his own to shed a little light on the dilemma faced by the audiophile grinding for a great deal. Also included are some choice reader responses.

The English flat-panel speaker company <A HREF="http://www.nxt.co.uk/">New Transducers Ltd.</A>, also known as NXT, recently announced a new transparent loudspeaker technology called SoundVu that the company says will enable television and computer screens to function simultaneously as loudspeakers.

Singer Dusty Springfield died at her home near Oxford, England last Tuesday, March 2, a few weeks before what would have been her 60th birthday and only one day before she was to have appeared at Buckingham Palace to be honored by Queen Elizabeth. The cause was breast cancer.

Fans of Macintosh computers and Betamax videotape are fond of pointing out that in the free market, the best technologies don't necessarily win. That scenario may be playing out again in the case of <A HREF="http://www.vqf.com/">VQF</A&gt;, a digital audio transfer and storage technology originally developed several years ago by Nippon Telegraph and Telephone.

Last week, <A HREF="http://www.philips.com">Philips Electronics</A> and <A HREF="http://www.sony.com">Sony Corporation</A> announced the completion of Version 1.0 of the Super Audio Compact Disc (SACD) format specification. According to a statement, the format specification will be released to licensees early this month to allow hardware manufacturers and software providers to begin preparing products for launch in the coming months.

I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.

I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.

I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.

I first saw and heard SimAudio's Moon amp and preamp at WCES two years back, and something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos.