You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

You've probably seen the ad in <I>Stereophile</I>: a very personal account by Avantgarde-USA president Jim Smith, describing how, during a 30-year career in high-end audio, he had become increasingly disappointed with conventional loudspeakers' ability to communicate the emotional impact of live music, and how he found the answer with the Avantgarde horn loudspeakers. It's advertising copy in the best I-liked-it-so-much-I-bought-the-company tradition&mdash;with the exception that Smith did not actually buy Avantgarde Acoustic, but <I>did</I> become their North American distributor.

H<B>ome Entertainment 2001</B> (formerly The HI-FI Show) is heading back to the heart of New York for the first time in five years. Described as "a unique hands-on event where attendees will see and hear the newest and the best in home audio and home theater," HE 2001 will take place May 11&ndash;13 at the Hilton New York.

The enduring audiophile dilemma about whether to optimize a home-entertainment system for music or movies may no longer be relevant, thanks to new disc players from <A HREF="http://www.sony.com/sel/">Sony Corporation</A> and <A HREF="http://www.philips.com/">Philips Electronics NV</A>. The machines were introduced at <A HREF="http://www.cedia.org/expo/">CEDIA Expo 2000</A>, the annual home-theater and custom-installation trade show held in Indianapolis.

Jonathan Scull writes that "with its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the <I>seam</I> between classic high-power two-channel systems and quality multichannel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. 'I'm a purist, like you, Jonathan!' he told me." In his review of the <A HREF="http://www.stereophile.com//amplificationreviews/266/">Krell Full Power Balanced 350mc monoblock amplifier</A>, Scull determines whether or not Krell has struck its musical target.

E<I>ditor's Note: This is Part Three of a six-part series from reader Herv&#233; Del&#233;traz of Switzerland, who is chronicling the development of his DIY (do-it-yourself) audio amplifier. Part One is <A HREF="http://www.stereophile.com/news/10825/">here</A&gt;, and Part Two is <A HREF="http://www.stereophile.com/news/10832/">here</A>.</I&gt;