One of the oldest names in American audio is venturing into new territory. Indianapolis, IN&ndash;based <A HREF="http://www.klipsch.com/">Klipsch Audio Technologies</A> has acquired "selected assets" of privately held <A HREF="http://www.mondialdesigns.com/">Mondial Designs Ltd</A>. of Dobbs Ferry, NY, maker of the Acurus and Aragon brands of amplifiers, preamps, and signal processors. Paul Rosenberg, Mondial's co-founder and former vice president, will become a director at his new parent company, with primary responsibilities in marketing and product development for Acurus and Aragon. Mondial chief engineer Adam Gershon and senior engineer Michael Kusiak will also remain with the company. Anthony Federici, Mondial's president, has moved on to form a new company called D & A Labs, which plans to debut a "high-end home theater receiver" this spring, with other quality electronics to follow.

Listening to and <I>evaluating</I> audio products in the CES trade-show environment is usually an utterly useless exercise. But every once in a while, a demonstration will clearly prove an exhibitor's point. PS Audio was able to do this with a convincing introduction to their Power Plant a couple of years back, as was Ray Kimber with his DiAural technology. This year, the "proof of concept in a hotel room" award would likely go to a new Australian upstart, ClarityEQ.

Coaxing great performance from an orchestra requires that a conductor combine the talents of interpreter, psychologist, actor, coach, and drill instructor. It also requires a unique auditory ability: the capacity for simultaneously hearing the complete ensemble as well as all its individual performers.

Controversy may sell magazines, but it can also cause all sorts of editorial and letter-writing ruckus. In <A HREF="http://www.stereophile.com//asweseeit/313/">"Where's the Real Magazine,"</A> John Atkinson follows the heated trail that began when he decided to put a PC soundcard on the cover of <I>Stereophile</I> back in September, followed by a Denon surround receiver (horrors!) that graced the December issue. Included as a bonus is the hot-off-the-presses March 2001 "As We See It" in response.

Major music companies may have conspired to keep CD prices artificially high in the United Kingdom by limiting cheaper imports. That's the presumption behind an inquiry launched February 9 by the British government's Office of Fair Trade.

The year was 1948. As a six-year-old, I haunted record stores with my Uncle Stan. A quiet bank teller from Manchester, England, childless himself and quite overpowered by my Aunt Emily, Uncle Stan shared with me his love of music and movies.

The year was 1948. As a six-year-old, I haunted record stores with my Uncle Stan. A quiet bank teller from Manchester, England, childless himself and quite overpowered by my Aunt Emily, Uncle Stan shared with me his love of music and movies.

The year was 1948. As a six-year-old, I haunted record stores with my Uncle Stan. A quiet bank teller from Manchester, England, childless himself and quite overpowered by my Aunt Emily, Uncle Stan shared with me his love of music and movies.

The year was 1948. As a six-year-old, I haunted record stores with my Uncle Stan. A quiet bank teller from Manchester, England, childless himself and quite overpowered by my Aunt Emily, Uncle Stan shared with me his love of music and movies.