If you peer back into audio history, you'll discover that long-term formats are generally established at the mass-market level and then perfected or re-invented by those with audiophile inclinations. One could argue that SACD and DVD-A are attempts at turning that rule on its head. But the slow start exhibited by both formats (with the copy-restriction issue a new and rather large stumbling block) indicates that, once again, the mass market needs to get involved before we can really move forward.
Not all Washington lawmakers are on the Hollywood payroll. Some even risk offending Big Entertainment by upholding their sworn duty to protect their constituents' interests. Representative Zoe Lofgren (D-CA) is such a legislator.
A "victory for consumers" may be a windfall for class-action attorneys and 41 states participating in a <A HREF="http://www.stereophile.com/news/10818/">price-fixing case</A> against the music industry. Some schools and public libraries may also benefit.
We've heard the sad tales from the record labels and distributors about their ever-weakening music sales, but there are other players in the market who are also feeling the pinch: retailers.
VAC Renaissance Signature Mk.II preamplifier Measurements part 2
I had a wonderful audio moment the other night. It was late in the evening, after a long day. I was standing in the middle of my makeshift listening room—Trish's dining room—and in spite of the fact that we were moving in just a few weeks, I'd just unpacked and set up my combo of <A HREF="http://www.stereophile.com//analogsourcereviews/498/">VPI TNT Mk.V-HR</A> turntable and tonearm with Grado Statement cartridge and dug a box of LPs out of the stacks in the garage. I cued up Dave Brubeck's <I>Time Out</I> (Columbia/Classic CS 8192), and the first notes of "Blue Rondo à la Turk" froze me in my tracks.
I had a wonderful audio moment the other night. It was late in the evening, after a long day. I was standing in the middle of my makeshift listening room—Trish's dining room—and in spite of the fact that we were moving in just a few weeks, I'd just unpacked and set up my combo of <A HREF="http://www.stereophile.com//analogsourcereviews/498/">VPI TNT Mk.V-HR</A> turntable and tonearm with Grado Statement cartridge and dug a box of LPs out of the stacks in the garage. I cued up Dave Brubeck's <I>Time Out</I> (Columbia/Classic CS 8192), and the first notes of "Blue Rondo à la Turk" froze me in my tracks.
I had a wonderful audio moment the other night. It was late in the evening, after a long day. I was standing in the middle of my makeshift listening room—Trish's dining room—and in spite of the fact that we were moving in just a few weeks, I'd just unpacked and set up my combo of <A HREF="http://www.stereophile.com//analogsourcereviews/498/">VPI TNT Mk.V-HR</A> turntable and tonearm with Grado Statement cartridge and dug a box of LPs out of the stacks in the garage. I cued up Dave Brubeck's <I>Time Out</I> (Columbia/Classic CS 8192), and the first notes of "Blue Rondo à la Turk" froze me in my tracks.
I had a wonderful audio moment the other night. It was late in the evening, after a long day. I was standing in the middle of my makeshift listening room—Trish's dining room—and in spite of the fact that we were moving in just a few weeks, I'd just unpacked and set up my combo of <A HREF="http://www.stereophile.com//analogsourcereviews/498/">VPI TNT Mk.V-HR</A> turntable and tonearm with Grado Statement cartridge and dug a box of LPs out of the stacks in the garage. I cued up Dave Brubeck's <I>Time Out</I> (Columbia/Classic CS 8192), and the first notes of "Blue Rondo à la Turk" froze me in my tracks.
I had a wonderful audio moment the other night. It was late in the evening, after a long day. I was standing in the middle of my makeshift listening room—Trish's dining room—and in spite of the fact that we were moving in just a few weeks, I'd just unpacked and set up my combo of <A HREF="http://www.stereophile.com//analogsourcereviews/498/">VPI TNT Mk.V-HR</A> turntable and tonearm with Grado Statement cartridge and dug a box of LPs out of the stacks in the garage. I cued up Dave Brubeck's <I>Time Out</I> (Columbia/Classic CS 8192), and the first notes of "Blue Rondo à la Turk" froze me in my tracks.