The <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA) has gone on record opposing the <A HREF="http://assembly.state.ny.us/leg/?bn=A11926">Artistic Freedom Act</A>, introduced for consideration by the New York State Assembly on October 28 by Speaker Sheldon Silver. The bill would free artists from long-term contracts&mdash;now sometimes as long as 25 years&mdash;and would give them "free agency" status.

The latest figures for the music industry remain grim: Online sales of recorded music have dropped 20% through the first half of 2002 compared with the same period last year, losing ground faster than the overall US music market, which lost 7% during the same period, according to the Recording Industry Association of America (RIAA). And the trend is accelerating. The latest numbers show online sales down 25% in the third quarter over last year.

John Atkinson and Arnis Balgalvis audition the <A HREF="http://www.stereophile.com//loudspeakerreviews/703/">Avalon Eclipse loudspeaker</A>, whose quasi-anechoic TDS response prompted JA to exclaim, "Boy, that's flat!" But is flat where it's at? AB thought so: "The sound I heard was truly outstanding."

Growing pains aren't always unpleasant. In the case of Denver-based <A HREF="http://www.ultimateelectronics.com">Ultimate Electronics</A>, they might be completely enjoyable.

Folk wisdom has it that fools lock the barn door after the horses have escaped. They also chase all over the countryside trying to catch them. The music business is doing some of both in legal action brought against file-sharing service <A HREF="http://www.madster.com">Madster</A&gt;.

Talking to fellow audiophiles, I sometimes hear generalizations about power-amplifier design: "High-power amplifiers don't sound as good as low-power amplifiers." "Tube amps are more musical than solid-state amps." "Class-A circuit designs always sound better than class-AB." "Bridged amplifiers don't image precisely, throw deep soundstages, or have the transparency of non-bridged output stages." Etc.

Talking to fellow audiophiles, I sometimes hear generalizations about power-amplifier design: "High-power amplifiers don't sound as good as low-power amplifiers." "Tube amps are more musical than solid-state amps." "Class-A circuit designs always sound better than class-AB." "Bridged amplifiers don't image precisely, throw deep soundstages, or have the transparency of non-bridged output stages." Etc.

Talking to fellow audiophiles, I sometimes hear generalizations about power-amplifier design: "High-power amplifiers don't sound as good as low-power amplifiers." "Tube amps are more musical than solid-state amps." "Class-A circuit designs always sound better than class-AB." "Bridged amplifiers don't image precisely, throw deep soundstages, or have the transparency of non-bridged output stages." Etc.

Talking to fellow audiophiles, I sometimes hear generalizations about power-amplifier design: "High-power amplifiers don't sound as good as low-power amplifiers." "Tube amps are more musical than solid-state amps." "Class-A circuit designs always sound better than class-AB." "Bridged amplifiers don't image precisely, throw deep soundstages, or have the transparency of non-bridged output stages." Etc.