People are often unaware that they might benefit from industry- or union-sponsored funds or participate in class-action settlements. In early January, we were notified of a fund for session musicians with over $3 million still unclaimed, and of a procedure enabling consumers to collect a small share of the payout from the "MAP" (minimum advertised price) <A HREF="http://www.stereophile.com/news/11461/">lawsuit</A&gt; that was settled by the music industry last year.

One of the more intriguing discussions we had at last week's Consumer Electronics Show (CES) was with Jim Weil of Berkeley, CA&ndash;based <A HREF="http://www.soundapplication.com">Sound Application</A>.

The past year has been a busy one for Hilary Rosen, CEO of the Recording Industry Association of America (RIAA). She suffered a <A HREF="http://tirian.magd.ox.ac.uk/~nick/UnionDebate/">humiliating defeat</A> at England's <A HREF="http://www.oxford-union.org">Oxford Union Debates</A>, celebrated <A HREF="http://www.stereophile.com/news/11548/">new agreements</A> with Silicon Valley companies, and led her organization in the attack on file-sharing service Kazaa. Rosen and the RIAA have also attacked college kids and put pressure on universities to police their students.

Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.

Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.

Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.

Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.

Despite my 26 years in audio journalism, the amount of stuff I need to know seems to increase faster than I can cope with it. Thus it didn't come as too much of a surprise for me to learn that speaker manufacturer Canton, the Teutonic equivalent of England's B&W, a) was 30 years old in 2002, and b) claims the dominant market share of the German market. Yes, I'd been peripherally aware of Canton through the years, but for various reasons had never auditioned any of their models. I was amenable, therefore, when Canton USA's Paul Madsen suggested to me last May, at Home Entertainment 2002 in New York City, that I review their flagship speaker.

Even poor people fly. You see them getting on and off planes with their NASCAR hats and their poor friends and their poor relatives waving to them at the gate. Flying is what everybody does nowadays, but it used to be just for the rich. It's hard to remember a time when the phrase <I>jet set</I> was charged with something other than irony.

Even poor people fly. You see them getting on and off planes with their NASCAR hats and their poor friends and their poor relatives waving to them at the gate. Flying is what everybody does nowadays, but it used to be just for the rich. It's hard to remember a time when the phrase <I>jet set</I> was charged with something other than irony.