On July 4, a Brazilian website apparently posted some tools that allowed users of <A HREF="http://www.intervideo.com/jsp/Home.jsp">InterVideo's WinDVD</A> to pull copy-protected data off DVD-Audio discs and store it on the user's hard drive rather than simply routing it to a sound card. According to <A HREF="http://www.afterdawn.com/news/archive/6597.cfm">Afterdawn</A&gt;, the tools didn't "do the decryption themselves, [but] instead patched WinDVD to output the decrypted stream to disk instead of the sound card."

<I>Class&#233;'s new player:</I> <A HREF="http://www.classeaudio.com">Class&#233;'s</A&gt; new Delta line of components now includes a DVD player. The $6500 CDP-300 plays DVD-V, DVD-A, standard CD, DualDisc, Video-CD, S-VCD, and JPEG picture discs, in addition to those encoded with MP3, WMA, and AAC audio formats.

No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.

No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.

No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.

No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.

No, folks, vinyl is not dead. And even though my colleague Mikey Fremer is beginning to sound like a broken record, the little guy is right: when it comes to the sound on offer, CD still doesn't come close. There are more turntables, phono cartridges, and tonearms on the market today than ever before. Moreover, with companies like Classic Records, Analogue Productions, and Mosaic offering a steady stream of ultra-high-quality reissues, there seems to be an increasing supply of quality vinyl at reasonable prices.

Canadian electronics manufacturer Bryston Limited has been producing consumer and professional amplifiers since 1974 [<I>see <A HREF="http://www.stereophile.com/interviews/996russell">Robert Deutsch's interview</A> elsewhere in this issue&mdash;Ed.</I>]. Bryston amps are engineered to be physically and electrically rugged, to meet the stringent demands of professionals, many of whom leave their studio amplifiers turned on for years. While chassis had to be light instead of the audiophile massiveness found in some high-end consumer amplifiers, studio engineers and concert pros continued to favor Bryston amps, which easily passed the "steel toe" test. The 4B, for example, became a standard amplifier for recording engineers and touring musicians.

Canadian electronics manufacturer Bryston Limited has been producing consumer and professional amplifiers since 1974 [<I>see <A HREF="http://www.stereophile.com/interviews/996russell">Robert Deutsch's interview</A> elsewhere in this issue&mdash;Ed.</I>]. Bryston amps are engineered to be physically and electrically rugged, to meet the stringent demands of professionals, many of whom leave their studio amplifiers turned on for years. While chassis had to be light instead of the audiophile massiveness found in some high-end consumer amplifiers, studio engineers and concert pros continued to favor Bryston amps, which easily passed the "steel toe" test. The 4B, for example, became a standard amplifier for recording engineers and touring musicians.