There's always a certain amount of jockeying for position at the very top of the High End. Every few months, a new star burns brightly, getting all the attention. While the constant turnover at the cutting edge helps to define the state of the art, audiophiles should keep their eyes on the longer term. It's a company's track record—examined over a period of years—which defines its position in the market and the credibility of its products.

There's always a certain amount of jockeying for position at the very top of the High End. Every few months, a new star burns brightly, getting all the attention. While the constant turnover at the cutting edge helps to define the state of the art, audiophiles should keep their eyes on the longer term. It's a company's track record—examined over a period of years—which defines its position in the market and the credibility of its products.

There's always a certain amount of jockeying for position at the very top of the High End. Every few months, a new star burns brightly, getting all the attention. While the constant turnover at the cutting edge helps to define the state of the art, audiophiles should keep their eyes on the longer term. It's a company's track record—examined over a period of years—which defines its position in the market and the credibility of its products.

There's always a certain amount of jockeying for position at the very top of the High End. Every few months, a new star burns brightly, getting all the attention. While the constant turnover at the cutting edge helps to define the state of the art, audiophiles should keep their eyes on the longer term. It's a company's track record—examined over a period of years—which defines its position in the market and the credibility of its products.

This is not a new component, but like most others that aspire to very high standards of performance, it has undergone some changes (for the better) since it first went into production.

This is not a new component, but like most others that aspire to very high standards of performance, it has undergone some changes (for the better) since it first went into production.

The invitation looked intriguing: "We are happy to welcome you to The Netherlands in September for the offical introduction of the Siltech Pantheon Loudspeaker." <A HREF="www.siltechcables.com">Siltech</A&gt; introducing a loudspeaker? I was well familiar with the Dutch company, celebrating its 25<SUP>th</SUP> anniversary next year, as a cable manufacturer. Indeed, some of the first high-end cables I had found to sound better than what I had been used to were Siltechs, back in the mid-1980s. Paul Bolin had been impressed by his <A HREF="http://www.stereophile.com/cables/1004siltech">auditioning of more recent G5 models in 2004</A>. And Siltech's founder, Edwin van der Kley, is married to the irrepressible Gabi van der Kley, principal of Crystal Cable with whom I had had a rather intense breakfast meeting with during last May's <A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A>. (<I>All</I> conversations with Gabi are intense.) But loudspeakers?