Those who’ve attended a Wilson Audio Specialties demo know that the company’s Peter McGrath puts on a good show&#151when it comes to introducing a loudspeaker and winning over an audience, he’s perhaps the best in the business.

So, I wasn’t actually surprised that Rosemarie took a fancy to the man. I was surprised, though, by how deeply she enjoyed the demonstration.

MBL’s 101 Xtreme loudspeaker system ($260,000) combines mirror-imaged pairs of the company’s 101 loudspeaker with outboard active subwoofers. A pair of MBL 9011s drove the lower omnis, while a pair of 9008s handled the upper omnis.

Michael Jackson’s “Thriller” sounded appropriately thrilling, and it was cool to hear how well the system managed to depict Christina Aguilera as a petite woman with an enormous voice.

Drama, scale, impact, resolution, speed, speed, speed, three-dimensional images on a massive soundstage. This system produced music with a sort of muscular physicality and confidence. Another one of my favorite sounds at the show, though completely different from all others.

Rosemarie agreed, for once. She liked it, too. (Thank goodness! It obviously only takes half a million dollars to impress this woman.)

“Hey, look&#151Jeff Joseph’s speakers arrived!” Rosemarie exclaimed.

“Oh, cool. Let’s take a picture,” I said. “Go over there and look pretty.”

“What?”

“I said, ‘You look so pretty.’ Geez. Come on, stand next to the speakers. Please?”

“Alright.”

“I said, ‘Stand next to them.’ I didn’t say, ‘Lean all over them like they’re yours.’”

JA would have lost his mind.

KEF’s Julia Davidson gave an excellent presentation, discussing the company’s efforts in bringing the Blade concept to life.

We listened to Radiohead’s “All I Need” from the great In Rainbows, and the song seemed to have more swagger than I’m used to, more grip, more pull, a way of reaching out and reeling in.

“That sounds good,” smiled Julia.

“You’re one of the designers?” I asked.

"Come here often?"

The KEF Muon reflects the exquisite beauty of woman.

The KEF Blade got lots of attention.

"Closer, closer...That's it...Yes...Now look into my tangerine waveguide..."

At first, I didn’t know what was going on. I only noticed a very large crowd of people, all seemingly fascinated by what was standing before them.

Audioarts’ Gideon Schwartz introduced me to a new loudspeaker from Switzerland’s Stenheim, a company founded by four young designers who had previously worked together at the high-profile Goldmund firm.

Here, the Alumine monitor ($12,795/pair) is mated to an optional subwoofer module ($26,700/pair). Should one opt against the sub, matching aluminum stands add $2975/pair. The speakers were partnered with CH source components and Viola Audio Labs amplification.

These speakers, perhaps more than any others I heard at the show, managed to “disappear,” leaving nothing but music in their place. Without sounding at all aggressive, the system produced lots of fine detail and great center fill.

It feels like a good time to listen and reflect. I'm streaming the wonderful Jamie XX remixes. You can also visit XL Recordings and gilscottheron.net.

An Acoustic Signature Ascona with SME Series 5 tonearm and low-out moving-coil Ortofon Rohmann cartridge made beautiful music leading a system comprising VTL MB-450 Series III monoblock power amplifiers, TL-7.5 Series III preamplifier, and TP-6.5 phono preamplifier. Speakers were the distinctive and dynamic Vivid G2 Giya.

To start off our listening, I picked one of my sister’s favorite albums, Adele’s 21. I noted a great sense of forward momentum and stunning dynamic range, all of Adele’s strong soulfulness communicated fully. I turned to Rosemarie, and I searched for some sign of recognition of the beauty which radiated before us...