Christmas vinyl questions

I received a new cartridge today, an Ortophon Red. I installed it IAW all the instructions it came with (almost none). Some records now sound a tad bright and distorted. What is the most likely error on my part, too much stylus preasure or too little or something else?

In addition, I got a new vinyl pressing of Diana Krall's greatest hits on verve. My automatic turntable drops the needle about 20-30 seconds into the first track, not a problem I have with any other of my records. Am I correct in thinking this means the record might be mis-pressed and a smidgen off center??

Active Desktop Monitor/ Speakers suggestions please

Forums

Looking for some great active desktop monitor/ speaker suggestions. I am starting to upgrade my Harmon Kardon 8 watters for something a little more substantial. I have looked st M-Audio Studiophile AV40s, KRK Monitors and Quad 11Ls (I think that is their model numbers). I am interested in using these with a desktop system that will start out with a basic set-up and eventually include a top end sound card along with some higher end cables. I may opt for a studio monitor with a sub out also. I like headphone outputs and rca connections - 1/8" inputs are nice as well but, not manditory.

Classic's Clarity Pressings

Classic's Clarity Pressings

It’s fair to ask how many audiophile pressings of John Coltrane’s <I>Blue Train</I> do we need? Yet Mike Hobson of Classic Records makes a compelling case for this answer: one more. Classic is putting out a whole new type of LP, and though its technical tweak seems preposterous—a parody of vinylphilic obsession—it really does yield a substantial improvement; it makes the head spin.

Do Musicophiles Enjoy Audio?

Do Musicophiles Enjoy Audio?

Paul Gowan's letter in the October 1989 Stereophile hinted that, whether or not audiophiles enjoy music, it should be true that the emotional experience we derive from music is what really matters. There, barefaced, lies the problem: who are "we"? A well-known Latin epigram affirms that in matters of taste there is no point in discussion. And a Greek epigram (coined in fact by Max Beerbohm in his Oxford novel Zuleika Dobson) suggests that "for people who like that kind of thing, that is the kind of thing they like."

Clouds Taste Metallic

Clouds Taste Metallic

It kind of happens intuitively, like breathing or crying or finding your way back home. Every year around this time, I scan my compact disc racks and watch as my hand reaches for The Flaming Lips' 1995 album, <i>Clouds Taste Metallic</i>. I put the disc in the player. I sit back. And I listen, and I remember.

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