LATEST ADDITIONS

John Atkinson  |  Jan 30, 1995  |  First Published: Jan 30, 1994  |  0 comments
"My car is supercharged, not turbocharged, so you see there's no throttle lag," explained Yves-Bernard André as he reversed at what seemed like 80mph up a narrow cobbled Paris street. "D'accord," I mumbled, afraid to loosen the white-knuckled grip I had on the passenger grab handles. Yves-Bernard's car may have been pointing the right way down the one-way street, but it was not actually traveling in that direction. Okay, so it was 2am and the good residents of the Dix-septième Arrondissement were busy stacking Zs (en français, "emplier les ronflements"). But I still didn't think we would've been able to explain the logic of the situation to the gendarmes (les flics, en français).
Corey Greenberg  |  Jan 30, 1995  |  First Published: Jan 30, 1994  |  0 comments
What makes someone a good hi-fi reviewer? A fine critical sensibility? A good technical background? Ears? Eyes? Nose? Throat? So many different people are reviewing audio gear these days that it's downright impossible to characterize a good reviewer. But I do know that Beavis and Butt-head would make killer hi-fi reviewers!
Dick Olsher, Various  |  Jan 29, 1995  |  First Published: Jan 29, 1994  |  0 comments
Lee de Forest filed for a US patent on his "Audion"—the first triode—on October 25, 1906, but never could explain why it worked (footnote 1). It was up to Armstrong and Langmuir, in their pioneering work, to place the hard-vacuum triode on firm scientific ground. When the US entered World War I in April 1917, the Army had to rely on French tubes. Six months later, Western Electric was mass-producing the VT-1 receiving tube and the VT-2 transmitting tube. However, it was only in the decade following World War I, as designers became conversant with the triode amplifier, that many of the crucial elements of tube amplification were nailed down. Technical issues such as coupling two gain stages and selection of optimal coupling impedance were already resolved by the mid-1920s. The triode ruled supreme until the tetrode came along in 1926, followed in 1929 by the pentode from Philips's research laboratories in Holland.
Robert Harley  |  Jan 28, 1995  |  First Published: Jan 28, 1992  |  0 comments
When the Compact Disc was first introduced nearly ten years ago, many were critical of the sound quality from this medium that promised "Perfect Sound Forever." To many sensitive listeners digital playback was a travesty that paled by comparison to even modestly priced turntable/arm/cartridge combinations. Ironically, those listeners who first praised CD sound have been forced to recant when confronted by the huge improvements in digital to analog conversion (and A/D conversion) seen in the past few years.
Thomas J. Norton  |  Jan 27, 1995  |  0 comments
Anyone who's ever looked for it knows how rare audio-friendly living space is. Perhaps someday an enterprising developer will build Audiophile Acres---a whole subdivision of audio houses or soundproofed condos that'll meet these needs---then stand by while hordes of long-suffering audiophiles stampede the sales office, frantically waving down-payments in their sweaty hands.
J. Gordon Holt  |  Jan 23, 1995  |  First Published: Jan 23, 1983  |  0 comments
Our long-awaited laser-audio disc player (usually called the CD, for "Compact Disc") finally arrived, along with a real bonanza of software: two discs—a Polygram classical sampler of material from Decca, Deutsche Grammophon and Philips, and a Japanese CBS recording of Bruckner's 4th Symphony, with Kubelik.
Richard Lehnert  |  Jan 21, 1995  |  First Published: Jan 21, 1994  |  1 comments
ELVIS COSTELLO: 2½ Years
Including: My Aim Is True (RCD 90271. Bazza, eng. TT: 60:22), This Year's Model (RCD 90272. TT: 52:46), Armed Forces (RCD 90273. TT: 63:29), all available separately, and Live at El Mocambo
Rykodisc RCD 90271/74 (4 CDs). TT: 3:45:33
All above (except as noted): CD only. Nick Lowe, prod.; Roger Bechirian, eng. & re-mastering. AAD.
John Atkinson, Arnis Balgalvis  |  Jan 10, 1995  |  First Published: Jan 10, 1991  |  0 comments
"Boy, that's flat!" I whistled. I was looking at a quasi-anechoic TDS response Avalon Acoustics' Charles Hansen had produced for his latest brainchild, the two-way Eclipse loudspeaker that he was setting up in my listening room.
John Atkinson  |  Jan 10, 1995  |  First Published: Jan 10, 1991  |  0 comments
What did you on your wedding night? I know what I did. All three times. But Casey McKee? He spent his wedding night at the end of October installing the new Lingo power supply on his Linn LP12. I know. I was there.
John Atkinson  |  Jan 08, 1995  |  First Published: Jan 08, 1994  |  0 comments
"Uhh! What is it?" I was being prodded on the arm. Admittedly it was gentle, almost polite prodding, but prodding it still was, a rude disturbance of the cocoon I had woven around myself in seat 31J of the American Airlines MD-11 winging its way across the North Atlantic. I pushed Pause on the Discman, insensitively not waiting for an opportune cadence in the Brahms Piano Quintet that had been my erstwhile virtual reality.

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