LATEST ADDITIONS

Stereophile Staff  |  Dec 21, 1997  |  0 comments
In the first set of prophecies, we foresaw the effects of DVD-Audio, high-end sales around the world, and tweak multidisc CD. For the second installment, we look into our crystal interconnects and foresee new audio data-distribution methods for the coming year.
John Atkinson  |  Dec 21, 1997  |  0 comments
Martin Colloms argues persuasively in the January 1998 Stereophile that negative feedback is not the panacea that amplifier designers believe it to be. His experience of an amplifier (the Cary CAD-805C) and a preamplifier (the Conrad-Johnson ART) that use no negative feedback other than local degeneration, yet have sound quality better than he has previously experienced, convinces him that even when a design's closed-loop distortion appears to be acceptably low, the listener is still aware of an amplifier's very distorted open-loop behavior.
Robert Baird  |  Dec 20, 1997  |  0 comments
DELBERT McCLINTON: One of the Fortunate Few
Rising Tide RTD-53042 (CD). 1997. Gary Nicholson, Emory Gordy, Jr., Delbert McClinton, prods.; Russ Martin, Marc Frigo, engs. AAD? TT: 38:12
Performance ****
Sonics ****½
Robert Deutsch  |  Dec 18, 1997  |  0 comments
One of the differences between mass-market and high-end audio is in product model longevity. By this I don't mean that high-end products necessarily last longer—although I think they generally do—but that models remain in a manufacturer's product line longer, perhaps being refined in an evolutionary manner. This helps products retain their value, and, when new models are introduced, these involve more than a cosmetic upgrade and some additional bells'n'whistles.
Stereophile Staff  |  Dec 18, 1997  |  First Published: Dec 18, 1991  |  0 comments
Every summer, I invite a representative sample of Stereophile's equipment reviewers to the magazine's Santa Fe HQ. For the third successive year, I decided to tape some of the free-for-all discussion that takes place and offer readers the opportunity of peeking over the participants' shoulders by publishing a tidied-up version of the transcript.
Stereophile Staff  |  Dec 17, 1997  |  0 comments
Digital Versatile Disc (DVD)---the well-publicized successor to VHS tapes, compact discs (CDs), and CD-ROMs---will struggle in the video and music industries, but be a major success for the personal computer industry, according to a recent report from Forrester Research. The report concludes that PC manufacturers will rapidly embrace DVD, resulting in an installed base of 53 million DVD-equipped PCs by 2002.
Barry Willis  |  Dec 15, 1997  |  0 comments
Only a few days remain until Christmas. Trees, tinsel, twinkling lights, and . . . tunes. It's the audiofool's most dreaded time of the year, when he once again suffers through his nine-thousandth experience of Bing Crosby crooning "Rudolph the Red-Nosed Reindeer." Sheer torture.
Barry Willis  |  Dec 13, 1997  |  0 comments
Rolling Stone is going head-to-head with MTV. Last week, Wenner Media, Inc, announced a partnership with JamTV to create a music site on the Web. Wenner is the parent company of Rolling Stone magazine. JamTV is an eight-month-old Internet start-up that broadcasts live concerts.
Jon Iverson  |  Dec 13, 1997  |  0 comments
More high-end audio company musical chairs: Howard Schilling, co-founder and Vice President of Sales and Marketing of Camelot Technology, will now also join Genesis Technologies as National Sales Manager after having "quietly" worked with them in the past.
Paul Messenger  |  Dec 11, 1997  |  0 comments
UK electronics specialty manufacturer Audiolab has been taken over by leading Grand Prix car-racing company TAG McLaren---or, more precisely, by the TAG McLaren Group. A newly formed company, TAG Electronics Holdings Ltd., will be the parent of both Cambridge Systems Technology Ltd. (which trades as Audiolab) and TAG Electronic Systems Ltd. (which supplies specialist, low-volume electronic engine-management systems to exclusive high-end automobile brands).

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