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Stereophile Staff  |  Feb 04, 2001  |  304 comments

A common complaint about <I>Stereophile</I> is that we review too much expensive equipment that our readers could never afford. Does this bother you, or should we continue to pursue state-of-the-art sound, without regard to cost?

Do you like to read reviews of really expensive equipment in <I>Stereophile</I>?
Love the expensive equipment reviews
37% (207 votes)
A few are fine
32% (179 votes)
Only once in a while
21% (116 votes)
Would rather they disappear
4% (21 votes)
Sam Tellig from cover to cover!
5% (30 votes)
Total votes: 553
Barry Willis  |  Feb 04, 2001  |  0 comments
The "Big Five" of the recorded music industry is one step closer to becoming the "Big Four," according to late-January reports from Frankfurt, Germany, home of Bertelsmann AG. Bertelsmann is the parent company of Bertelsmann Music Group, which has been in merger discussions for several months with the United Kingdom's EMI Group PLC. Discussions are near completion, according to a BMG official.
Stereophile Staff  |  Feb 04, 2001  |  0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.
Stereophile Staff  |  Feb 04, 2001  |  0 comments
Despite the best efforts of Federal Reserve Board Chairman Alan Greenspan to extend an unprecedented economic boom, the nation's economy is slowing. The slowdown is causing negative repercussions in many sectors—including the music retailing business and consumer electronics manufacturing.
Jon Iverson  |  Feb 04, 2001  |  0 comments
Sony may be pretending that DVD-Audio doesn't exist, and Panasonic may be in denial about SACD, but a new chip from Texas Instruments just might help bring the rival formats a little closer together in consumer living rooms and professional recording studios alike.
Stereophile Staff  |  Feb 04, 2001  |  0 comments
A billion-dollar loss for the parent company may be a big gain for performers under contract to Warner Music Group, who will benefit from cross-promotional efforts aimed at millions of America Online subscribers beginning this month.
Stereophile Staff  |  Feb 04, 2001  |  0 comments
Last week, American Technology Corp. (ATC) announced that three additional patents on its loudspeaker technologies have been granted by the US Patent and Trademark Office (see previous story). The company also announced that it has acquired the rights to "strategic" patents from the former Carver Corp. covering a variety of audio reproduction and amplifier technologies.
Jonathan Scull  |  Feb 04, 2001  |  0 comments
As an audio journalist "servicing" the High End (ouch!), I surf the Web waves to see what's going on on the various audio newsgroups and bulletin boards. Sometimes the Net resembles the Concorde going down, the crash video'd by a passing French motorist: Ashen faces pressed against car windows driving slowly by to check out the carnage.
Robert J. Reina  |  Feb 01, 2001  |  0 comments
I have a passion for great speaker designs at affordable prices, and with modern driver, crossover, and cabinet technologies making innovative strides, many serious high-end speaker designers are turning their attentions to coming up with the next great budget speaker. All audiophiles need affordable speakers, whether to recommend to friends to lure them into our hobby or to set up multiple, less costly systems in our own houses. I currently run a main reference system, a vacation-house system, a recording-studio system, a computer system, a portable system I take to parties, a car system, and an office system. I insist on having music playing constantly, wherever I am, unless my wife or son tells me to turn it off—which happens increasingly often these days.
Jonathan Scull  |  Feb 01, 2001  |  0 comments
What's it take to compete on the bleeding edge of digital? Foresight, commitment of resources, and lots of money. Of course, it's all fundamentally about money, so we shouldn't be surprised that the audiophile's emotional needs aren't paid much respect by the large international manufacturing and marketing concerns stalking the earth today. Megaglom vs Cockroachacus. [Sigh] Where are those pesky miniature princess twins when you need 'em?

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