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FeaturesMusic and Recording Features
The Great Record-Club CD Conspiracy?
Bob Katz  |  Dec 07, 1994  |  1 comments
For a while, I've been hearing rumors that the record-club editions of popular compact discs differ from the original versions produced by the record companies. I've met listeners who claim their club versions are compressed in dynamics, and some have reduced bass. Perhaps the clubs, in their infinite wisdom, think the typical member has a lower-class stereo system (in fact, the opposite may be true). Maybe these lower classes could benefit from some judicious dynamic compression, equalization, and digital remastering.
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Recording of the Month
Recording of November 1994: J.S. Bach: Suites for Solo Cello
Les Berkley, Various  |  Nov 22, 1994  |  0 comments
J.S. BACH: Suites for Solo Cello
Nathaniel Rosen, cello
John Marks Records JMR 6/7 (2 CDs only). Doris Stevenson, prod.; Jerry Bruck, eng. DDD. TT: 2:16:43
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FeaturesMusic and Recording Features
The Silverman Concert
John Atkinson  |  Nov 19, 1994  |  0 comments
"What's that noise?" Bob Harley and I looked at each other in puzzlement. We thought we'd debugged the heck out of the recording setup, but there, audible in the headphones above the sound of Robert Silverman softly stroking the piano keys in the second Scherzo of Schumann's "Concerto Without Orchestra" sonata, was an intermittent crackling sound. It was almost as if the God of Vinyl was making sure there would be sufficient surface noise on our live recording to endow it with the Official Seal of Audiophile Approval. Bob tiptoed out of the vestry where we'd set up our temporary control room and peeked through a window into the church, where a rapt audience was sitting as appropriately quiet as church mice.
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ReferenceFeatures
Balance: Benefit or Bluff?
Martin Colloms  |  Nov 15, 1994  |  0 comments
If you read much promotional literature for recently introduced high-quality equipment, you'll notice a common theme emerging: balanced connection. Balanced inputs and outputs are becoming a must for any audio equipment that has any claim to quality. The word itself has promotional value, suggesting moral superiority over the long-established "unbalanced" connection (for the purpose of this discussion, I will call this "normal"). What's my problem with this? Simply this: The High End could be paying dangerous, costly lip service to the received wisdom that balanced operation is the goal for an audio system.
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Recording of the Month
Recording of October 1994: Officium
Les Berkley  |  Oct 29, 1994  |  0 comments
HILLIARD ENSEMBLE/JAN GARBAREK: Officium
Medieval & Renaissance Chant & Polyphony by Morales, Perotin, Dufay, de La Rue, Anon.
The Hilliard Ensemble, vocals; Jan Garbarek, soprano & tenor saxes
ECM New Series 78118-21525-2 (CD only). Manfred Eicher, prod.; Peter Laenger, eng. DDD. TT: 77:41
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Interviews
A Wee Dram of Scotch: Linn Products' Ivor Tiefenbrun
John Atkinson  |  Oct 25, 1994  |  0 comments
More than 20 years ago, when the turntable was considered a perfectly neutral component in the playback chain, Ivor Tiefenbrun single-handedly demonstrated to the world that the turntable was not only an important part of a hi-fi system, but perhaps the most important part. That radical idea was the basis for the legendary Linn Sondek LP12 turntable, the product that launched Linn, and which is still in production 22 years later.
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As We See It
Future Shock, High-End Style
Thomas J. Norton  |  Oct 18, 1994  |  0 comments
The future is rarely what anyone expects it to be. I still remember reading, as a child, predictions in Popular Science that everyone would have a personal helicopter by 1980. It never happened, though it sure seemed like a reasonable projection of events. Events, however, have their own agenda.
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As We See It
The Importance of the Small Difference
John Atkinson  |  Sep 24, 1994  |  0 comments
During a recent visit to Canada's National Research Council, I noticed stuck to the wall of the prototype IEC listening room a page of results from one of Floyd Toole's seminal papers on the blind testing of loudspeakers. The scoring system was the one that Floyd developed, and that we adopted for Stereophile's continuing series of blind tests. "0" represents the worst sound that could possibly exist, "10" the perfection of live sound—a telephone, for example, rates a "2." The speakers in Floyd's test pretty much covered the range of possible performance, yet their normalized scoring spread, from the worst to the best, was just 1.9 points.
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Recording of the Month
Recording of September 1994: Mahler: Symphony 1
Kevin Conklin  |  Sep 06, 1994  |  0 comments
MAHLER: Symphony 1, "Blumine"
James Judd, Florida Philharmonic Orchestra
Harmonia Mundi USA 907118 (CD only). Peter McGrath, eng.; Paul F. Witt, prod.; Robina Young, exec. prod. DDD. TT: 64:15
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Recording of the Month
Recording of August 1994: Blues for Thought
Richard Lehnert  |  Aug 20, 1994  |  0 comments
TERRY EVANS: Blues for Thought
PointBlank/Charisma/Virgin 39064 2 (CD only). Ry Cooder, prod.; Mark Ettel, eng. AAD? TT: 49:18
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