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Earlier this month, at the Internationale Funkausstellung 1999 in Berlin, Germany, Syrinx">http://www.syrinx.de">Syrinx music & media announced that, together with Panasonic/Technicshttp://www.panasonic.com/">Panasonic/Technics; and their new DVD-Audio players (see previous">http://www.stereophile.com/news/10509/">previous story), they successfully presented the world's first DVD-Audio disc. The Internationale Funkausstellung 1999 ran from August 28 until September 5 under the theme of "Your World of Consumer Electronics."

A quarter-million dollars' worth of recording and duplicating equipment and hundreds of thousands of counterfeit compact discs and cassette tapes were just part of the booty seized by New York's Suffolk County police in what has been called the "biggest bust of bootleg music in US history." Twelve people were arrested in raids during the first week of September at warehouses in Manhattan, Queens, and Long Island.

Want to start an audio newsgroup fire-fight? Just put the three letters "ABX" in the subject line of your post, sit back, and watch the pros take over. Read where it all started 15 years ago in "The">http://www.stereophile.com//features/141/">The Highs & Lows of Double-Blind Testing," which John Atkinson has compiled from the years 1985 and 1986, when an argumentative thread ran through Stereophile's pages discussing the benefits (or lack of) of double-blind testing methods in audio component reviewing—all triggered by J. Gordon Holt's review">http://www.stereophile.com//asweseeit/121/">review of the ABX Comparator.

When Sonyhttp://www.sony.com">Sony; introduced the first Super Audio CD (SACD) player, the SCD-1 (see previous">http://www.stereophile.com/news/10445/">previous report and Jonathan Scull's forthcoming review in the November 1999 Stereophile), audiophiles who heard it were impressed with its performance, but wondered if its $5000 price tag would keep it out of the market for a while. Last week, Sony announced their second SACD player, the SCD-777ES, to appear in October at the slightly more wallet-friendly price of $3500.

The year was 1956, and Elvis had just finshed his set on the December 15 Louisiana Hayride radio show. Elvis was one of a half-dozen acts that were broadcast that night on KWKH, the radio station that originated Hayride. After his encore, Elvis left the stage and the crowd went wild—so wild that they would not stop screaming for more of the soon-to-be king of rock'n'roll. Because several acts on the bill had not yet performed, the show's announcer, Horace Logan, went to the microphone in an attempt to quiet the audience, and ended up making a little music history.

Country music reached the peak of its popularity six years ago, when it claimed 18.7% of the recorded-music audience. Since then, it has steadily declined to its present 14.1%, according to the Recording">http://www.riaa.com/">Recording Industry Association of America's 1998 Consumer Profile. Reasons for the decline include the increasing crossover of country stars into pop and rock styles, a phenomenon that has broadened many artists' reach and made acts like Garth Brooks and Shania Twain household names among folks who may not previously have paid much attention to country. Crossing over, unfortunately, also dilutes the support of traditional music fans. Apart from the twang in the vocals, much current "country" music sounds amazingly like the rock and pop of 10-15 years ago.

It's been a busy week for Digital Audio Broadcasting (DAB) pioneers Lucent">http://www.lucent.com">Lucent Digital Radio. (See previous">http://www.stereophile.com/news/10463/">previous report.) The company has announced that a new entity, Lucent">http://www.lucent.com/ldr">Lucent Digital Radio, Inc., has been created as a result of an investment by Pequot Capital Management. The new company will be owned by Pequot Capital investors and Lucent Technologies, which will hold a majority ownership stake. Lucent says it will continue to support the new venture and provide ongoing access to research from the company's Bell Labs research and development unit.