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They may sing about death and destruction, releasing albums with titles such as 1983's Kill 'em All, but underneath the menacing exteriors, Metallicahttp://www.metallica.com">Metallica; is really just a group of sensitive artists.

After the bungled launch last year of DVD-Audio, where is a digital audiophile to turn? John Atklinson provides some answers in "Talkin&#039">http://www.stereophile.com//asweseeit/219/">Talkin' 'Bout a Revolution," from the April 2000 Stereophile. "So while the DVD Forum argues about increasingly arcane aspects of the DVD-Audio medium, and John Lennon's record-industry 'men in suits' retreat further into their lawyer-built fortresses, I have bypassed all they have to offer . . . "

It's not uncommon for bootleggers to record live performances of favorite artists and then send copies of the tapes around the world. But in an interesting twist that could add a whole new dimension to concert merchandising, the Virgin Entertainment Group and Liquid Audio recently teamed up to record a live performance by the Joshua Redman Quartet at the Virgin Megastore in San Francisco. The recording was then immediately digitized and burned onto CD.

A single standard for terrestrial digital radio is still somewhere over the rainbow. Despite pressure from broadcasters to form an industry alliance, leading developers of the new technology are intent on pursuing their own courses, attendees learned at the 2000 National">http://www.nab.org/">National Association of Broadcasters convention in Las Vegas in mid-April. Executives from USA">http://www.usadr.com/">USA Digital Radio and Lucent">http://www.lucentdigitalradio.com/">Lucent Digital Radio, the two biggest players in the sector, told NAB members that their design and testing programs are still in early stages of development, too soon for accord.

For lifelike audio presentation in your living room, what could be better than the real thing? When it comes to putting the sound of a piano in your home, nothing comes close to, well, a real piano. For more than a century, several companies have marketed player pianos, first using rolls of punched paper, and most recently sophisticated MIDI programs. But if a real piano represents the ultimate audio performance in your living room, who has the ultimate real piano?

The struggle for position in the Internet-based audio downloading market continues unabated. On the format front, Sony has recently">http://www.stereophile.com/news/10716/">recently announced several deals to bring its ATRAC compressed-audio format to the Web, while IBMhttp://www.ibm.com">IBM; and Liquid">http://www.liquidaudio.com">Liquid Audio announced last week that they have entered into a strategic relationship intended to "advance the digital music marketplace" with content-management tools.

The age of downloadable digital music is showing signs of maturing. Territory that was explored by hobbyists, pirates, and startup companies eager to stake their claims will soon yield to the irresistible force of multinational conglomerates.