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In the race to get satellite radio to market, XM">http://www.xmradio.com">XM Satellite Radio was the first to hit">http://www.stereophile.com/news/11148/">hit the air this past September. But competitor Siriushttp://www.siriusradio.com">Sirius; says they were saving the best for last, and has now announced that its official launch date will be as early next year as February 14, with initial broadcasts reaching Denver, Phoenix, and Houston.

They don't turn over quite as fast as computer equipment, but mass-market audio component product cycles typically last about a year, until the next Consumer Electronics Show comes around. High-end audio products, however, enjoy much longer life spans—sometimes stretching to several years.

Thanks to an agreement reached in October, musicians, rather than their record labels, will receive royalty payments for the use of recordings distributed over the Internet or broadcast over cable and satellite systems. Royalty collection agency SoundExchangehttp://www.soundexchange.com">SoundExchange; will distribute payments directly to performers, regardless of their contracts with the record companies, according to a statement issued the second week of November.

Texas">http://www.ti.com">Texas Instruments says it is on a quest to provide "high-performance audio solutions" for the home entertainment market. To prove it, last week the company announced its first stereo analog-to-digital converters supporting the Direct Stream Digital (DSD) specification and the Super Audio CD format (SACD).

For his review of the diminutive Acarian">http://www.stereophile.com//loudspeakerreviews/445/">Acarian Systems Alón Petite loudspeaker, Wes Phillips explains that the "li'l guys frequently image like bandits—which some of us just can't resist." Also included is Robert J. Reina's followup review of Alón's matching PW-1 woofer system, from February 1997, along with his take on the Alón Petite.

When it comes to digital music players and the future of computer-based entertainment, the computer industry appears to be going in two directions at once. Apple Computer has recently made a strong move into the portable music arena with its $399 iPod, a player that can store as many as 1000 songs. The company is also rumored to be developing software and computer-based editing equipment for the pro-audio industry.

The economic outlook may be gloomy, but there are bright spots here and there. One is Indianapolis-based Klipsch">http://www.klipsch.com">Klipsch Audio Technologies, which, on November 5, announced a bold expansion program that will add more than 200 people to its workforce.

Neither Verancehttp://www.verance.com">Verance; nor Digimarchttp://www.digimarc.com">Digimarc; have made friends in the consumer world, as they continue to develop and implement watermarking technologies used to restrict the use of digital media, such as DVD-Audio and CD discs. Audiophiles, in particular, are resisting any form of restriction technology, such as watermarking, that alters the digital data on a disc at the expense of audio fidelity.

From the March 2001 issue, Michael Fremer finds that, although homely in appearance, the Herron">http://www.stereophile.com//amplificationreviews/441/">Herron Audio M150 monoblock power amplifier has several endearing qualities. As Fremer explains, "Herron approaches the marketplace in a cautious, stealthy manner, working from the ground up to grab the ears of audiophiles." MF tells us where this amp grabbed him.

Audiophiles almost universally agree that hearing—or "auditory perception" to neuroscientists—improves with practice. That phenomenon would explain why many of us are able to hear differences between audio components that untrained listeners can't hear.