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PSB BP7 Subwoofer Unveiled

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CAS 2011

Salk Sound, Van Alstine

Stephen Mejias Jul 19, 2011

I noted deep silences, good spatial effects, good low-end impact, and a fine sense of scale in this room occupied by Salk Sound and Van Alstine: Salk Sound Soundscape loudspeakers ($12,000/pair) and 300Wpc Van Alstine hybrid amplifier ($3000).

CAS 2011

Light Harmonic Da Vinci 384K

Stephen Mejias Jul 19, 2011

Jon Iverson might also like this.

I noted generous scale, midrange detail, full body, and an overall effortlessness to the presentation of this system: Wilson Sophia loudspeakers, Pass Labs amplification, and the new Light Harmonic Da Vinci 384K USB DAC ($15,000 [NOTE: The actual retail price ended up at $20k-ed.]).

CAS 2011

Brodmann Acoustics Festival Series

Stephen Mejias Jul 19, 2011

Brodmann Acoustics was demonstrating their pretty little Festival Series loudspeakers. The Austrian company has a background in piano manufacturing as well as sound engineering, and the FS speakers ($3990/pair) have an interesting design:

CAS 2011

Widea Lab’s Audio Renderer

Stephen Mejias Jul 19, 2011

Jon Iverson might like this.

Widea Lab is a young Korean company. The company says they’ve got some strong candidates for US distribution and will also be selling via Amazon. Their first product, the Aurender (short for Audio Renderer; $5700), is a digital music server utilizing a customized Linux OS, linear power supply, and storage for over 5000 lossless and uncompressed CDs.

CAS 2011

Gini Systems iTube

Stephen Mejias Jul 19, 2011

Also in the Gini Systems/Audio Space room was the Gini iTube 2.1 Audio System ($199, show price). As you can see, it looks like a big iPod with a little tube and speakers.

CAS 2011

Gini Systems, Audio Space

Stephen Mejias Jul 19, 2011

A gentle, relaxed sound with well-focused images was coming from the Gini Systems/Audio Space room: Audio Space LS3/5a monitors ($1790/pair), Reference 3.1 300B integrated amplifier with tubed moving-magnet phono stage ($4290), DAC-US1 D/A converter ($2500), and CDP320 player ($800).

CAS 2011

Nothing New From Audioengine (Yet!)

Stephen Mejias Jul 19, 2011

In the Audioengine room, I heard a familiar sound: Fun, exciting, clean, and physical, with tight, lovely bass. The company was using their A5 loudspeakers, which I enjoyed a few months back, to play music via a MacBook Pro running plain old iTunes through an HRT Music Streamer II.

And now I know what Michael Lavorgna meant when he said he’d have to kill you:

CAS 2011

LumenWhite, Ayon, Vovox

Stephen Mejias Jul 19, 2011

In another large, difficult ballroom, beautifully finished LumenWhite Artisan loudspeakers ($45,000/pair) were mated to the 250W, class-A Ayon Orthos 2 monoblock power amplifiers. The source was Ayon’s CD5S ($11,380), which combines a tube preamp with a tube DAC and transport. Cables were the Swiss-made Vovox. The system created a large sound to match the large room, with big-hearted bass.

CAS 2011

High Value Audio

Stephen Mejias Jul 18, 2011

I almost missed the High Value Audio room&#151it was sort of tucked away, down a long corridor and hidden by the hotel’s West Bay Café (great breakfasts!)&#151but I’m glad I found it because the sound in here was sweet and inviting, playing an acoustic guitar and vocals piece that just soothed my soul.

CAS 2011

Acapella, Ypsilon, Bergmann, Einstein

Stephen Mejias Jul 18, 2011

Rushing around at the end of Saturday, I spent too little time in the room hosted by Redwood City’s Loggie Audio, but, having heard similar setups at recent shows, the sound was what I remembered from Aaudio Imports’ Acapella Violoncello loudspeakers, Ypsilon amplification, and Bergmann turntable: awesome scale, well-extended highs, and a clarity that puts you there with the musicians.

Also on display in this room were updated versions of Einstein’s The Final Cut OTL monoblock amplifier and The Tube preamp. More on these come October at the Rocky Mountain Audio Fest.