LATEST ADDITIONS

A mix of tracks left over from sessions Philips recorded in 1964 and 1965, Wild Is the Wind has been reissued on 180gm vinyl by Universal Music and Acoustic Sounds. Remastered by Ryan Smith at Sterling Sound and plated and pressed at QRP in Salina, Kansas, the record sounds warm and evocative, capturing the nuances of Simone's complex vocal powers.

The first time I heard a pair of standmount Kii Audio Three speakers, a few years back at a Montreal Audiofest, I immediately got them—their sound, their purpose, their futuristic, polished look. I was infatuated by these strange, complex, almost entirely self-sufficient sound-reproduction devices, so unlike anything else I'd seen they may as well have been from outer space.

Hegel hosted a few rooms. In this one, the Norway-based company’s setup included its brand-new 150Wpc H190V streaming integrated amplifier with MM phono stage ($4899, projected release: May), a pair of Andrew Jones–designed MoFi Sourcepoint 8 speakers ($4399 with stands)—the model's 8 designation refers to the size of the concentric driver—AudioQuest cabling (various prices), and a MoFi Ultradeck turntable with factory-aligned Mastertracker MM cartridge ($3999), wasn't in use during my visit.

For a couple of years now at the Montreal Audiofest, Classé Audio and Bowers & Wilkins have been exhibiting together. That’s no surprise considering that both brands are owned (for the moment at least) by the same company, Masimo. (Medical-device manufacturer Masimo may soon be spinning off the former Sound United home–hi-fi brands.)

And now for more from the Montreal show.

You want guts? You want music with explosive dynamics, effortless sonic propulsion, and a bass beat that punches so low and hard it makes you sit up at attention? How about if with all that power came high-level transparency, dimensionality, tonal purity, vocal naturalness, and microdetail?