The Internet is having a startling effect on radio, as evidenced by a new report released by <A HREF="http://www.arbitron.com">The Arbitron Company</A>, entitled "Arbitron Internet Listening Study: Radio in the New Media World." Arbitron concludes "that Internet broadcasting is a fast-growing medium which presents both challenges and opportunities for radio broadcasters."
For the past three weeks (see <A HREF="http://www.stereophile.com/news/10291/">previous article</A>) we've been reporting on the troubled plight of <A HREF="http://www.diamondmm.com">Diamond Multimedia</A>'s new Rio portable MP3 audio player. Announced in grand fashion by Diamond several months back, the <A HREF="http://www.riaa.com">Recording Industry Association of America</A> (RIAA) quickly set its sights on the device, and fired what it hoped would be a fatal shot in the form of an injunction. The RIAA appeared to have succeeded until last week, when US Central District Court California Judge Audrey Collins reversed her initial ruling from 10 days earlier of an injunction, paving the way for the product's release this month. Both the RIAA and the Alliance of Artists and Recording Companies (AARC) are planning an appeal.
Cleveland's WMMS-FM built an enormous following of loyal fans by cranking out a steady stream of rock'n'roll---a stream now 30 years old. "The Buzzard," as the station at 100.7MHz is known, rode the wave of rock's ascendancy, and pioneered the classic rock format---one instantly recognizable by the heavy rotation of the recordings of such groups as Led Zeppelin, the Rolling Stones, Pink Floyd, the Allman Brothers, Aerosmith, Bruce Springsteen, the Cars, Kansas, Boston, and Journey. Every major city in the United States has at least one such station. Throughout the '70s, '80s, and '90s, WMMS won generations of rock fans with its midday concerts and kept them tuned in with its unwavering dedication to heavy rock. The station was instrumental in winning the Rock'n'Roll Hall of Fame and Museum for the city of Cleveland.
More European music lovers will soon be able to enjoy the offerings of Music Choice, a leading provider of audio and data services. Zug, Switzerland-based <A HREF="http://www.fantastic.com/">The Fantastic Corporation</A> announced an agreement October 28 with Music Choice that will expand the musical options for computer-equipped music fans in Great Britain, Italy, Germany, Switzerland, and other countries.
Copyright issues are a hot item these days, with digital recorders and MP3 files dominating the news. But are audiophiles affected by such things?
The rumors were flying all week, and this time they proved to be true: <A HREF="http://www.cdnow.com">CDNow Inc.</A> and <A HREF="http://www.n2k.com">N2K Inc.</A> jointly announced the signing of a definitive merger agreement on October 23. Both companies are well-positioned in the online music retail business, but face ever-increasing threats from new online rivals such as Tower Records and Virgin, as well as the ominous presence of Amazon.com who recently jumped into the online music business.
Petersen's HI-FI Show management announced October 22 that <A HREF="http://www.avacademy.com/">The Academy Advancing High Performance Audio and Video</A> will be sponsoring Trade Days at <A HREF="http://www.hifishow.com">HI-FI '99</A>, The Home Theater and Specialty Audio Show, taking place at the Palmer House Hilton in Chicago from May 11 to May 13, 1999. This marks the fourth consecutive year that The Academy has sponsored Trade Days at the HI-FI Shows. Show management and The Academy also announced today that the Music and Film Seminar Series will be expanded in 1999 to a two-track educational program. Each track will consist of the five disciplines showcased at the Seminar Series in 1998: Sales Techniques, Digital Technologies, Room Acoustics, Video Technologies, and Multi-room Design and Installation.
When Petersen Publishing purchased Stereophile, Inc.'s assets on June 1 of this year (see <A HREF="http://www.stereophile.com/news/10183/">previous story</A>,) previous co-owners Larry Archibald and John Atkinson remained with the magazine. Whereas JA's responsibilities as <I>Stereophile</I> editor have remained the same as they had been, Larry Archibald's position changed considerably. He retained his masthead title of publisher (with the December issue it changes to "publisher emeritus"), but in reality, Larry has been more like "magazine spokesman and general factotum" since the purchase.
Last Friday, October 23, Garden City, NY---based CDKnet announced that Atlantic Recording Corporation had signed a licensing agreement to use the company’s CDT technology for enhancing the content of its music CDs. CDKnet’s audio and video streaming technology embeds links on music CDs to sites on the World Wide Web, such as Atlantic’s own <A HREF="http://www.metrotainment.com/">Metrotainment</A> site. The first musical release under this agreement will be "A Random Act of Senseless Kindness," a single by South SixtyFive, a new group on the Atlantic label.
The <A HREF="http://www.riaa.com/">Recording Industry of America</A> is among the many organizations celebrating the recent <A HREF="ftp://ftp.loc.gov/pub/thomas/c105/h2281.ih.txt">ratification</A> by the U.S. Congress of two treaties signed by more than 100 nations at the 1996 World Intellectual Property Conference in Geneva.