A study released earlier this month by <A HREF="http://www.arbitron.com">The Arbitron Company</A> and <A HREF="http://www.edisonresearch.com">Edison Media Research</A> shows that Internet radio broadcasting continues to be a fast-growing medium. The survey of Arbitron diarykeepers also brings to light both the challenges and opportunities that the Internet presents to radio broadcasters, particularly in the much-talked-about arena of e-commerce.
Audio wisdom holds that musicians tend to neglect their stereo systems. But we're wondering how many of <I>Stereophile</I>'s readers play music themselves, both for fun and professionally.
Rare violin dealer Geoffrey Fushi has devoted many of the past several years and a substantial portion of his liquid assets to producing <A HREF="http://www.beinfushi.com/miracle.html"><I>The Miracle Makers</I></A>, a reference book-and-recording project honoring the works of Antonio Stradivari and Giuseppe Guarneri del Gesu, late 17th- and early 18th-century makers of the world's most sought-after violins. Fushi is also the founder of the <A HREF="http://www.stradivarisociety.com/index.html">Stradivari Society</A>, a philanthropical organization of violin fanciers who loan their invaluable instruments to gifted students. Members believe that their treasures were intended to make music, not merely to gather dust in heavily guarded vaults.
Last week we posted reviews of the <A HREF="http://www.stereophile.com//digitalsourcereviews/86/">Linn Sondek CD12 CD player</A> and the <A HREF="http://www.stereophile.com//loudspeakerreviews/85/">Linn AV 51 system</A>. This week we add a review of the <A HREF="http://www.stereophile.com//analogsourcereviews/88/">Linn Linto phono preamplifier</A>, as well as John Atkinson's report on the <A HREF="http://www.stereophile.com//loudspeakerreviews/89/">Revel Ultima Gem loudspeaker & Ultima Sub-15 subwoofer</A>, and Tom Norton's review of the complete <A HREF="http://www.stereophile.com//loudspeakerreviews/90/">Revel Home Theater</A> speaker system.
After dozens of thorny issues slowed its progress (see <A HREF="http://www.stereophile.com/news/10281/">previous report</A>), last week the <A HREF="http://www.dvdforum.com/">DVD Forum</A> announced that its Steering Committee has approved Version 1.0 of the DVD-Audio Disc specifications, making it the fifth of the DVD format family after DVD-Video, DVD-ROM, DVD-RAM, and DVD-R. According to a statement, the DVD Forum says it will soon publish the DVD-Audio Format Book, which contains the detailed specification of the format, and make it available to authorized companies by "early spring of this year."
Because online music retailers like <A HREF="http://www.cdnow.com">CDNow</A> and <A HREF="http://www.Amazon.com">Amazon.com</A> have likely taken a bite out of record-club sales, last week Internet company <A HREF="http://www.aol.com">America Online</A> and direct music marketer <A HREF="http://www.columbiahouse.com">Columbia House</A> announced a marketing agreement for both online and offline advertising and promotions, including product bundling, direct-mail initiatives, and co-marketing and advertising campaigns. Under the multi-year agreement, Columbia House, with more than 13 million members, will promote its music, video, and DVD clubs on AOL's Shopping Channel, as well as on AOL.com, CompuServe, Digital City, and Entertainment Asylum.
When it comes to delivering audio/video programming to the home, there's no substitute for bandwidth. Typically measured in megahertz (MHz) for analog signals or megabits per second (Mbps) for digital datastreams, the amount of bandwidth your system can access determines how much programming you can receive and at what level of quality.
It was the weirdest orchestral balance I'd ever heard. The gentle woodwind chords that begin Mendelssohn's incidental music to <I>A Midsummer Night's Dream</I> were as loud as the climactic "Wedding March" that ends the piece. The radio broadcast was obviously being compressed to hell. Yet, sitting at the wheel of the rented Vauxhall Vectra I was driving down to Cornwall for an old friend's surprise 50th birthday party, I was actually glad for the compression. Had Classic FM broadcast the Mendelssohn with its true dynamic range intact, the quiet passages would have been irretrievably buried in the road noise and the loud passages would have had me lunging for the volume control, to the possible danger of those sharing England's congested A303 trunk road with me.
<B>BECK: <I>Mutations</I></B><BR> DGC 25309-2 (CD), Bong Load 004 (LP). 1998. Nigel Godrich, Beck Hansen, prods.; John Sorensen, eng. AAD/AAA. TT: 49:17<BR> Performance <B>*****</B><BR> Sonics <B>****</B>
Most audiophiles' record collections include LPs <I>and</I> CDs, but one format invariably is played more than the other. In yours, which one is it, and by how much?