LATEST ADDITIONS

Sturgeon's Law asserts that 95% of everything is crap

A merger announced Wednesday, July 12 by Columbia, Maryland&ndash;based <A HREF="http://www.usadr.com/">USA Digital Radio</A> and <A HREF="http://www.lucentdigitalradio.com/">Lucent Digital Radio</A> of Warren, New Jersey may hasten the creation of a unified US standard for terrestrial digital radio, according to industry analysts. The merger was approved by the National Radio Systems Committee, which is in charge of developing a set of digital radio specifications for the US. It was also backed by 15 companies involved in the rollout of digital radio, including Viacom Inc.'s Infinity Broadcasting Corp. and Clear Channel Communications, Inc.

Chip Stern notes that, "as often as not, it ain't the heat&mdash;it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for Clip." And fire away he does in "<A HREF="http://www.stereophile.com//asweseeit/246/">Snobs, Slobs, & Marley's Ghost</A>," added to the Archives this week.

Audiophiles have complained since the earliest days of the compact disc that music reissued in the digital format often doesn't sound as good as it does on the original LPs. For nearly 20 years, such complaints have been dismissed by ordinary music lovers and by music-industry executives as the rantings of purists, but at least one major label is now admitting that many early CDs were not very good.

With <A HREF="http://www.stereophile.com/news/10793/">Napster</A&gt; as the little red devil with a pitchfork prodding them on, the third-largest record company in the world, <A HREF="http://www.emigroup.com">EMI</A&gt;, making good on its <A HREF="http://www.stereophile.com/news/10745/">earlier announcement</A>, last week became the first major label to begin releasing music online. In a move the company hopes will silence the critics who say that Napster has become successful because the big labels have provided no Web-based alternatives, EMI put over 100 albums and 40 singles online "through all the normal retail websites."

As often as not, it ain't the heat—it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for CLIP.

I heard the other day from Steve Creamer of Nirvana Audio Cable. Steve had just finished reading May's "Fine Tunes," in which I'd mused further about grounding your audio system.