Cello, one of high-end audio's most prestigious names, is being revived by one of its former executives. Jim McCullough, who served as the brand's last vice president of international business development, has formed a new company, Matthew James LLC, which will make and market Cello electronics.
<B>RODNEY CROWELL: <I>The Houston Kid</I></B><BR>Sugar Hill SUG-CD-1065A (HDCD). 2001. Rodney Crowell, Peter Coleman, Steuart Smith, Jim Dineen, prods.; Hank Williams, eng. AAD? TT: 47:01<BR>Performance <B>*****</B><BR>Sonics <B>****</B>
As audiophiles, we generally deplore the restrictions that the music business is trying to impose on new formats and equipment, such as watermarking and restricting digital outputs. But does the recording industry have a leg to stand on with their suspicion that we all might be potential pirates?
The prognosis was looking dim for yet another Internet music business, but last week the <A HREF="http://www.iuma.com/">Internet Underground Music Archive</A> (IUMA), revealed that it has signed an agreement to be acquired by Vitaminic, a European digital platform for the promotion and distribution of music over the Internet. IUMA had recently run out of cash and says that the acquisition will allow it to relaunch all suspended services within the week.
After enduring <A HREF="http://www.stereophile.com/news/10942/">frustrating delays</A>, <A HREF="http://www.xmradio.com">XM Satellite Radio</A> announced the successful launch last week of its first satellite, which the company has named Rock. XM reports that lift-off occurred off the Sea Launch Odyssey Launch Platform in the open waters of the Pacific Ocean on the equator, and that the first signals from the satellite were captured by a ground station in Australia a little over an hour later, as planned.
As Shannon Dickson puts it, the <A HREF="http://www.stereophile.com//loudspeakerreviews/328/">Audio Artistry Beethoven loudspeaker system</A> "is a four-piece, bi-amplified, dynamic dipole design which has been taken to the <I>n</I>th degree of refinement." After much time spent reveling in the speaker's sonic splendor, Dickson arrives at his aural conclusion.
Savvy music fans willing to ignore the built-in copying restrictions on consumer-targeted CD recorders have always had their computer-based CD and DVD recorders and hard drives to play with, especially when it comes to manipulating MP3 files. Maybe not for much longer. A new content-protection approach is attempting to tighten the digital noose around the necks of PC users who have spent the last few years virtually unencumbered when it comes to—as Apple so succinctly <A HREF="http://www.apple.com/hardware/ads/ripmixburn.html">puts it</A>—rip, mix, burn.
Now that we've scrutinized the past 20-30 audio years, a reader from Portland wants to know what you'd like to see happen in high-end audio in the <I>next</I> 20-30 years. Let's see some wild ideas.
Is the world ready for another portable music format? <A HREF="http://www.dataplay.com/">DataPlay Incorporated</A> thinks so. On March 12, the Boulder, CO–based company announced an agreement with <A HREF="http://www.bmg.com/">Bertelsmann Music Group</A> to release new titles later this year on miniature pre-recorded discs, which are about the size of a quarter.
Recorded music was a $14.3 billion business in the United States last year, according to the newly published 2000 Consumer Profile from the <A HREF="http://www.riaa.com/">Recording Industry Association of America</A> (RIAA). Released March 13, the report details who music buyers are, what they are buying, and how much they are spending.