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<I>The fundamental object of the invention is to provide...the listener a realistic impression that the intelligence is being communicated to him over two acoustic paths in the same manner as he experiences in listening to everyday acoustic intercourse....</I>&mdash;Blumlein, <I>et al</I>, British Patent #394,325, issued June 14, 1933</B>

Industry representatives for both SACD and DVD-Audio claim they are not in a format war with each other. Do you disagree with them?

"The vinyl record should be commemorated, not forgotten, for its unique contribution to our society. Therefore the County of San Luis Obispo, in the state of California, proclaims a celebration of the memories of music. '<A HREF="http://www.vinylrecordday.com/">Vinyl Record Day</A>' will be celebrated to acknowledge vinyl records' influence on individuals and cultures worldwide. The date is August 12th, the date of the invention of the phonograph by Thomas Edison in 1877."

John Atkinson gets his hands on "the very strange-looking" <A HREF="http://www.stereophile.com//loudspeakerreviews/643/">MBL 111B loudspeaker</A> to determine how "upper-frequency drive-units resembling an array of orange segments" could possibly sound. As JA discovers, thinking different can sometimes be a plus.

Questionable accounting practices were at the heart of the collapse of energy conglomerate Enron and telecommunications giant WorldCom. Apparently, they are also rampant in the music industry&mdash;or at least pervasive enough to command the attention of California state legislators, who have scheduled a second hearing to examine the situation.

What music lovers have suspected for months, and record labels vehemently deny, has apparently been confirmed by <A HREF="http://www.forrester.com">Forrester Research</A>: Piracy is not responsible for the 15% drop in music sales in the past two years. According to a new report from Forrester, "Labels can restore industry growth by making it easier for people to find, copy, and pay for music on their own terms."

I have always had an affection for speakers designed and manufactured by the Canadian conglomerate Audio Products International Corp. (API), which markets speaker designs under the names Mirage, Energy, Sound Dynamics, and Athena. In fact, it was 20 years ago that API created the first budget speaker that caught my attention, the Mirage 350. At the time, the 350 was the only speaker I'd heard that cost less than $300/pair. It sounded open, musical, and detailed without seeming bass-shy. (A larger successor, the 460, was for many years my reference home-theater speaker.) Although I've been impressed with many other API designs I've heard over the years at friends' houses, press events, and hi-fi shows, it had been more than a decade since I'd formally reviewed an API product.