Estelon at Audio Video Show Warsaw 2026
Silent Pound at Audio Video Show Warsaw 2026
Welcome to Warsaw!
Take 5 Show Report
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Pure Sound Time | Revel Performa4 Bookshelf Loudspeaker
See How the New HumminGuru NOVA RCM Cleans an LP!
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026

LATEST ADDITIONS

Music: The Universal Language

So let get me this straight. Orrin Hatch, Republican senator from Utah, is one of the heavy hitters whose deluge of 11th hour phone calls not only springs music producer Dallas Austin out of a Dubai jail for coke possession, but it also helps to turn a four year jail sentence into a pardon?

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Flowerburger Records Petitions Parliament to Stop P2P Lawsuits

In a gesture that mirrors a <A HREF="http://www.eff.org/share/petition/">petition</A&gt; the Electronic Freedom Foundation (EFF) is presenting to Congress, Flowerburger Records is circulating a <A HREF="http://www.flowerburger.com/">petition</A&gt; requesting that the British Parliament and the BPI, Britain's recording industry trade group, stop the lawsuits against music fans and develop constructive alternatives aimed at compensating artists.

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21st Century Vinyl

A highlight of recent Home Entertainment Shows has been the Sunday afternoon "Analog Clinic" presented by <I>Stereophile</I> senior editor Michael Fremer. Michael, who writes about vinyl playback every month in his "Analog Corner" column, spends an hour showing Show attendees how to set up a turntable and how to optimize the tonearm geometry. To judge by the attendance at Home Entertainment 2006, held last month in Los Angeles, this is a popular subject these days.

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Rogers Studio 3 loudspeaker

Back in the early 1970s, the BBC needed a physically unobtrusive, nearfield monitor loudspeaker for use in outside-broadcast trucks. Accordingly, they instructed their design department, which at that time featured such luminaries as Dudley Harwood (the "father" of the polypropylene cone, who went on to found Harbeth) and the late Spencer Hughes (the "father" of the Bextrene cone, who went on to found Spendor), to produce such a model. Thus, not only was what was then probably the finest collection of British speaker-design talent involved in its development, there were no commercial constraints placed on the design. The only limitations were intended to be those arising from the necessarily small enclosure and the absence of the need for a wide dynamic range under close monitoring conditions.

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Ruark Templar loudspeaker

As I trundled the <A HREF="http://www.stereophile.com/standloudspeakers/477">WATT/Puppys</A&gt; off to the <I>Stereophile</I> laboratory complex for our test procedures (see my review in the last issue), I idly wondered to myself, "Gee, what am I going to do for an encore?" Visions of exotic butterfly-like horns danced in my head (nope, J-10 Scull gets those babies). I was tantalized by the call of ambitiously designed behemoths (Major Tom gets those, he's got the room for 'em). Maybe some jewel-like, state-of-the-art minimonitors? (JA glommed 'em&mdash;editor's prerogative, y'know.) So what does that leave me?

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