Buddy Holly's Unreleased Apartment Tapes
I've linked to <I>Locust Street</I> before, but this is one of its best posts ever: a moving account of Buddy Holly's last days, with MP3s of some unreleased home recordings.
I've linked to <I>Locust Street</I> before, but this is one of its best posts ever: a moving account of Buddy Holly's last days, with MP3s of some unreleased home recordings.
Quick, name your favorite equation! For most of us, it's E = mc<SUP>2</SUP>, but Euler's <I>e<SUP>in</SUP></I> + 1 = 0 is the one "everyone should know."
Though I was doing my best to give passengers room to exit the train, I was hopelessly in the way. On some mornings, it's impossible to stand on the train and <i>not</i> be in the way. Everyone scrambles toward the open doors, as if departing this train, right now — right now! — means the world. The world. I think it's because I hate this, that I try to do the opposite. When it's my turn to depart, I move carefully and slowly, perhaps in some futile attempt to show others how gracefully done it can be. Fellow passengers, there is another way. Watch as I move through these doors with such ease and finesse.
Pascal Wyse sure loves musical innuendo.
<I>The Guardian</I> has some further thoughts on "meh." All of which simply points out that <A HREF="http://heideas.blogspot.com/2005/03/beyond-embiggens-and-cromulent.html…; was right when she said that the Simpsons are all about linguistics.
There's a nice interview with <I>New Yorker</I> editor Remnick in <I>The Independent</I>. As a writer, I suppose I should mention how much I identify with all kinds of questions of craft revealed here, but, really, what I most identified with was his anecdote about listening to Bob Dylan records and discovering T. S. Eliot and Rimbaud.
The Dave Brubeck Quartet hits one out of the park in this 1966 performance. The fabulous Eugene Wright looks completely out of place as the only band member without eye-wear.
Sometimes our favorite music sounds like crap, and sometimes the best-sounding work in our collection is an artistic failure, but we keep the thing anyway. Forget about the quality of the music, what percentage of your music collection sounds great?
<I>Oooohh! Aaaahh! Coochy-coo!</I> are not the usual spontaneous reactions from hard-boiled audio journalists to the unveiling of a hi-fi component. Nor is the Silverstone Circuit, the self-proclaimed Home of British Motor Racing, the usual venue for such a launch. But the news that UK audio manufacturer <A HREF="http://www.meridian.co.uk">Meridian</A> and Ferrari were cuddling up together on a joint project was enough to drag yours truly halfway across the country to deep Northamptonshire on a miserably wet February morning.
Audiophiles of a certain age may very well have first tasted high-end sound by way of Linn's 1972 <A HREF="http://www.stereophile.com/turntables/1103linn/">Sondek LP12 turntable</A> and/or Naim's 1982 <A HREF="http://www.stereophile.com/integratedamps/660/">Nait integrated amplifier</A>. There aren't many audio manufacturers that have managed to keep components in production for 25 years (35 for the Linn), but the two venerable British designs have been continuously upgraded over their lives, keeping them competitive.