LATEST ADDITIONS

I've mentioned my insecurities and low self-esteem, told you of how I often feel so out of place and inferior. Whether in my personal relationships or professional duties, I can overwhelm myself into paralysis and depression with the idea that there is someone better suited for my life, that I do not belong where I am, that I am simply not good enough. It's a problem. But, considering that I was a red-headed white kid, growing up in the housing projects of Newark, within a large, Puerto Rican family who spoke a different language, and had an alcoholic father who cheated on my mom and often humiliated me, it's not too difficult to understand.

Joe Harley was striding around the Denver Convention Center. When we shook hands, he glanced around and said, "Let's go somewhere private." We ducked into an empty demo room and he pulled a few records out of his bag. "Nobody else knows about this, I'm giving you the exclusive."

Naxos is making money from classical music. In the record industry, which seems to daily lament declining sales, piracy, and the demise of bricks-and-mortar retailers, that's news in itself. But when the world's largest independent classical-music company is able to turn a tidy profit while catering to the needs of audiophiles, that's cause for rejoicing.

<A HREF="http://www.lucianopavarotti.com/">Luciano Pavarotti</A> interrupted the extended farewell tour he'd begun in 2004 to undergo cancer surgery last July in a New York City hospital. Though he often proclaimed intentions to resume touring, he was forced to curtail further public appearances. After a recent hospitalization for a high fever, he was released on August 25 to spend his remaining days at home. His second wife, sister, four daughters, nephews, and close relatives and friends were all at his side in Modena September 6 as he died.

It was disorienting to arrive in the Denver Convention Center and both have to re-learn where everything is and to try to maintain my bearings on the Show floor. The grid of floor sites is very approximately regular, with each numbered row thickening and thinning to complement its neighbors. At one point, I had let myself be led around to three different booths by a press representative, only to look up and not know which was the front and which was back!

Look at the picture and tell me that those don’t look like speakers! They are, of course, but they are not intended to be driven by audio signals directly. What subwoofer manufacturer Bag End was demonstrating is a small, active bass trap, the E-Trap, and they are driven by the bass frequencies in the room. Each of these small boxes contains a driver, two microphones, and some pretty snazzy electronics that let the driver cancel the energy at the frequency (or two) of your room’s major mode. Sure, acoustic treatment is generally best, but that can get awfully cumbersome below 100Hz. Adjustments allow you to select frequencies between 20Hz and 65Hz and adjust the amplitude and shape of the cancellation. For critical success, you need to experiment with placement (although that is almost always at a room boundary) and, at the moment, have access to some nice FFT software. Bag End's James Wischmeyer promises that, eventually, some simpler setup software will be provided. Mebbe, but I asked to try one ASAP.