Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Steinway Lyngdorf Mounts Up at Audio Advice Live 2026
Playback Distribution Presents a Grand North American Vienna Acoustics Loudspeaker Debut at Audio Advice Live 2026
Focal Attains Utopia at Audio Advice Live 2026
Rega's Royal Analog Experience at Audio Advice Live 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

Broken Hearts & Dirty Windows: Songs of John Prine

Whenever I’m at Tunes in Hoboken, getting my fingers all dirty on the vinyl LPs, I stop and stare at this one album, John Prine’s <i>Sweet Revenge</i>, and I wonder what it’s all about. Prine looks pretty bad-ass there in his convertible, decked out in so much blue denim, dark aviators over his eyes, a cigarette at his lips, the wind in his hair, legs crossed and flung out over the passenger side window like he’s seriously satisfied, like he really doesn’t care.

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Attention Screen

On Saturday night, in New York City, upstairs in Manhattan’s 54th Street Yamaha piano studios, which by the way is very close to that other keyboard shrine, Steinway Hall, <I>Stereophile</I>’s own contributing editor Bob Reina and his group, Attention Screen recorded their third live album for Stereophile Records, a label owned and run by editor in chief/sound engineer John Atkinson, our fearless leader. Just so there is no confusion, I mean that last term as an endearing salute rather than in the sense of Rocky & Bullwinkle’s Germanesque dictator of Pottsylvania.

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To Have & To Hold

I was directed to this video via the <a href="http://twitter.com/stereophilemag"><i>Stereophile</i&gt; Twitter page</a>, in a tweet from <a href="http://blog.bowers-wilkins.com/sound/formats/to-have-and-to-hold-vinyl-… & Wilkins</a>, who’d seen it first at <a href="http://www.audiophilia.com/wp/?p=4383">Audiophilia</a&gt;. Moments after I’d watched the video, <i>Stereophile</i> contributor Jim Austin also sent me the link.

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Flatline Design 175 loudspeaker

Balanced performance isn't the be-all and end-all of product design. A person can listen to a product which balances the highs with the lows, detail with forgiveness, delicacy with dynamics, and still feel unmoved. Such a product might sound "proper," but it won't produce the illusion of a live performance. It takes a special window or two on reality to convince you you're listening to live music. Such a loudspeaker may have other deficiencies which keep it from being a universally appealing product, but it keeps reminding you of the live experience. It may appeal only to a small number of audiophiles, but their experience may well be more intense.

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