LATEST ADDITIONS

<i>Photos courtesy Peter McGrath.</i>

Next weekend's <A HREF="http://audiofest.net/2010/index.php?Sid=860cc0cc7b60fd7f9bd2725ff657784… Mountain Audio Fest</A> (RMAF) is bigger than ever. Scheduled to be held October 15&#150;17 in the Denver Marriott Tech Center, the seventh annual show has expanded from last year's 145 display rooms to a record 174. Add in silent displays in hallways, and there were products in every price range from a good 400 companies (up from 350 in 2009). Now occupying six floors in the Marriott Tower (including the mezzanine) and two in the Atrium, the Rocky Mountain Audio Fest has well earned its reputation as the largest consumer-audio and home-entertainment show in the US since the demise of the <I>Stereophile</I> Shows.

<i>Me, listening to old MPS songs with the V-MODA Crossfade LP headphones and the <a href="http://blog.stereophile.com/stephenmejias/the_hifiman_hm-801_portable_m…; portable music player. Photo by intrepid Ariel Bitran.</i>

It's no surprise that high-end audio dealers are getting thinner on the ground. Even so, how often do you visit a high-end audio dealer?

The latest 3-CD box in Mosaic Records’ Select series, <I>John Carter & Bobby Bradford</I>, is something of a revelation. I’ve heard several albums over the years by the two musicians separately, but never their collaborations of 1969 (as the New Art Jazz Ensemble) and ’71 (as John Carter & Bobby Bradford, though playing with much the same quartet), both recorded on the obscure Revelation label. Now here they are, reissued with unreleased takes and a whole unissued (unknown) duet session that was laid down in ’79.

When I <A HREF="http://www.stereophile.com/musicintheround/854">started out</A> on my multichannel mission in 2000, it was with an all-digital <A HREF="http://www.stereophile.com/floorloudspeakers/201">Meridian system</A> that relied on lossy, compressed sources like the original Dolby Digital and DTS formats, or on synthesized surround based on Dolby Pro-Logic or Meridian's own TriField. With the appearance of first SACD and DVD-Audio and then Blu-ray, discrete lossless multichannel recordings became available, but there was no way to output those signals in digital form for interconnection to other components for playback or further manipulation. Most audiophiles, me included, already had analog preamps and power amps. It was only with the appearance of HDMI and the accompanying HDCP content protection that we could output those digital signals, and over a single cable to boot. Today, there are A/V receivers, some costing less than $500, and more than a handful of audiophile-oriented preamp-processors, that can accept such lossless high-resolution multichannel content as PCM, DSD, Dolby TruHD, and dtsHD Master Audio.

<B>Backstory in Blue: Ellington at Newport '56</B><BR>
by John Fass Morton, foreword by Jonathan Yardley. Rutgers University Press, 2008. Hardcover, 336 pages, 107 B&amp;W photos. $34.95.