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Napa Acoustic: Big Sound, Small Packages

Upon walking into the Napa Acoustic room, I heard many expressions of awe and disbelief as attendees searched for subwoofers and asked, again and again, if the products’ stated prices were correct. Indeed, the system here&#151Napa NA208 A amplifier ($399), NA208S speakers ($199), and DT-307C CD player ($399)&#151filled the room with solid, believable sound and music.

The brand made its debut at last year’s Jacksonville Axpona. While all of Napa’s current manufacturing takes place in China, the company’s Joseph Kwong told me he hopes to produce an affordable vacuum tube amp right at home, in Fremont, CA, in the not too distant future.

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A View of Downtown Atlanta

I didn’t get to see much of Atlanta while at the show, but what I did see was beautiful. During breakfast one morning, a member of the Atlanta Audio Video Club led me outside to a quiet balcony where we enjoyed this view of the Atlanta skyline.

That UFO-shaped structure near the center of the image is the revolving restaurant, Polaris, atop the Hyatt Regency, on Peachtree Street in downtown Atlanta. Designed by John C. Portman, Jr., the Hyatt Regency was opened in 1967, and was the first hotel constructed around an atrium.

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Hi-Fi in Miniature: The McIntosh MXA60

Sound Ideas Stereo, a hi-fi dealership based in Gainesville, Florida, used a McIntosh MXA60 ($7500), “a full-blown McIntosh hi-fi in miniature,” to pump music into the long and busy corridor between the large Atlanta rooms and the great Capitol Ballroom, where seminars and live performances took place daily.

At any given moment during the show, I could pass by this exhibit to hear sweet sounds and smile at the lovely ladies who seemed enchanted by the MXA60.

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John Atkinson on Speaker Measurements

In just a couple of weeks, my boss, John “Ice Cool” Atkinson, will celebrate 25 years as editor of Stereophile, the greatest hi-fi magazine on the planet (and don’t you forget it). As editor, JA has refined the hi-fi industry in many ways, and has taught us all so much, but it’s perhaps his loudspeaker measurements which have been most influential and fascinating.

In these 25 years, JA has performed extensive technical analyses of well over 700 different loudspeakers, an accomplishment that, in my opinion, cannot be overestimated. On several occasions, I’ve had the privilege of watching John go through the process&#151a slow, long, often tedious, often thankless process, and one which often involves some very heavy lifting. The dude is tireless.

So, it was cool for me to see a large group of audiophiles and music lovers on hand to listen as JA discussed that process in detail, illuminating how and why he does what he does. “I’ll describe what I do,” he said, “what the measurements mean, what they don’t mean, and how we can use them to understand what we hear….”

That’s my boss!

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Audioengine Gets Busy

Throughout the show, the Audioengine room was almost always busy; attendees seemed very attracted to the technology, design, and prices of Audioengine’s small, versatile speakers. When I walked in, a pair of A5 powered loudspeakers ($349/pair) were playing, and it was interesting to note their familiar sound, even while in an crowded and unfamiliar environment. My discussion of the A5 appears in our May issue, copies of which were being distributed in the Audioengine room and throughout Axpona.

Audioengine’s Brett Bargenquast was happy he’d decided to exhibit at the show. Traffic was steady, and the company sold several pairs of speakers during the three-day event.

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Jessi Monroe: She's Got Legs

But who cares about speakers and turntables? Say hello to Miss Jessi Monroe!

When I visited his room, WS Distributing’s Tom Myers had mentioned that Jessi was supposed to be performing a few of her songs, but she “ran out to buy some records and never came back.” My kinda girl.

Just as I was about to leave the room, Jessi walked in…and I sat back down.

Jessi’s been traveling between Los Angeles, Atlanta, and Nashville, working on her recording career. She played a few riffs for us and the sound was somewhat tentative and perhaps touched by sadness, but long-legged and lovely, with blue-green eyes, long eyelashes, and exceptionally red lips.

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WS Distributing

In his WS Distributing room, Tom Myers had set up a system made of a Vincent CD-S7 CD player (available now for $2199.95 in black or silver), Thorens TD 2030 turntable with blue acrylic plinth ($3699) and Benz Ace cartridge ($700) , Vincent amplification, and Thiel SCS4 loudspeakers on Pangea speaker stands. With its top-to-bottom coherence, the system was easy to enjoy. Moving from the Vincent CD player to the Thorens turntable added measures of body and scale, which I found even more involving.
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