LATEST ADDITIONS

Every time I encounter a system with Triangle speakers, I stop and take serious notice of their refined but lively sound. As I did Sunday in the room sponsored by The Antal Audio Group.

I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?

There's a cliché that says that New Yorkers are fond of wearing black. It's a true cliché. But fascination with the dark side isn’t restricted to New Yorkers.

That Robin Wyatt (aka Robyatt) knows how to put on a show is obvious. That he assembles a fine sounding room is also a given. So, when Wyatt enlisted recording/mastering engineer Tom Fine to discuss and play records, representing the work of his parents, Robert Fine and Wilma Cozart Fine, the result was predictable: Standing room only crowds.

On the last day of the show, loudspeaker designer Jeff Joseph showed no sign of slowing down. Remote in hand, he bounced around his room like the battery bunny, welcoming attendees, switching his rig between analog and digital, and smiling his way through it all.

The other big room with spectacular sound on the Rockville Hilton’s atrium level featured products from Pass Labs, GT Audioworks, and Basis Audio.

Oswald Mill Audio (OMA) is known for thinking outside of the box, and its new division, Fleetwood Sound Company, looks to extend that tradition.