LATEST ADDITIONS

<B>EMMYLOU HARRIS: <I>Red Dirt Girl</I></B><BR> Nonesuch 79616-2 (CD). 2000. Malcolm Burn, prod., eng. AAD? TT: 55:58<BR> Performance <B>****?</B><BR> Sonics <B>****</B>

Using a digital code, or "watermark," has been proposed for SACD and DVD-Audio recordings to help control what consumers can and cannot do with the new discs. The downside is that some engineers feel that the watermark, though subtle, might be audible at times. Does this bother you?

After a difficult gestation, DVD-Audio may finally be moving toward becoming a market reality now that a major record label has stepped forward to support it. <A HREF="http://www.wmg.com/">Warner Music Group</A> (WMG) has issued several recordings in the new format, covering a range of genres. DVD-A is "the most significant industry format launch since the introduction of the CD nearly 20 years ago," according to an October 2 WMG press release.

Warner Music Group may have just announced its first DVD-Audio titles (see <A HREF="http://www.stereophile.com/news/10861/">related story</A>), but an upstart independent label is claiming the first DVD-A discs actually available for sale. In an attempt to establish itself as the leader in the new DVD-Audio format, 5.1 Entertainment Group's <A HREF="http://www.silverlinerecords.com/">Silverline Records</A> says it has begun shipping the first commercially available 24-bit/96kHz DVD-Audio disc, <I>Swingin' for the Fences</I>, by Gordon Goodwin's Big Phat Band.

You want to grow your market, you've got to plant some seeds. The <A HREF="http://www.ce.org/">Consumer Electronics Association</A> (CEA) is doing just that with the <A HREF="http://www.buzznet.org/">BuzzNet 2000</A> tour, a traveling educational event that will hit college campuses beginning this month, as reported <A HREF="http://www.stereophile.com/news/10859/">last week</A>.

According to a report just released by the <A HREF="http://www.narm.com">National Association of Recording Merchandisers</A> (NARM), Digital distribution&mdash;particularly streaming technology&mdash;will seriously disrupt the music industry, but has the potential to "benefit all segments of the business if companies can leverage their traditional strengths and create compelling consumer value propositions."

The subject of audiophile-grade AC outlets, which I have been discussing in previous Fine Tunes" columns is more contentious than I'd ever imagined. In August's episode of "Fine Tunes," I forwarded you an e-mail from audio worthy Glen Bartholomew, who waxed poetic about the inexpensive and therefore (he felt) oft-overlooked hospital-grade devices from Leviton. He found the Levitons to be the equals of, if not better than, the Hubbell, Bryant, and Eagle units I'd previously recommended.