Where Measurements and Performance Meet featuring Andrew Jones
Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025

LATEST ADDITIONS

Squeezing the Music 'til the Bits Squeak

In this space last January, I enthused about the sound of linear 20-bit digital recordings which, I felt, preserve the quality of a live microphone feed. "I have heard the future of audio—and it's digital!" I proclaimed, which led at least a couple of readers to assume I had gone deaf. Putting to one side the question of my hearing acuity, 20-bit technology has been rapidly adopted in the professional world as the standard for mastering. The remaining debate concerns how to best preserve what those 20 bits offer once they've been squeezed down to the 16 that CD can store. Sony's Super Bit Mapping algorithm and Harmonia Mundi Acustica's redithering device have been joined by new black boxes from Apogee Electronics, Lexicon, and Meridian; it appears likely that, in next to no time at all, all CD releases will be offering close to 20-bit resolution—at least in the upper midrange, where the ear is most sensitive.
Continue Reading »

John Tchilinguirian: Energetic Speakers

Canadian speakers from such companies as Mirage, PSB, and Paradigm have acquired international reputations for offering good sound at more-than-competitive prices. The latest Canadian speaker manufacturer to hit the big time might well be Energy, which has actually been around for about 15 years, but has only recently introduced a flagship speaker. Energy's $6000/pair Veritas v2.8 earned Tom Norton's commendation for having produced one of the best sounds at the 1993 Las Vegas WCES. [<A HREF="http://www.stereophile.com//loudspeakerreviews/551/">TJN's review</A> appears in this issue.&mdash;Ed.]

Continue Reading »

Recording of May 1994: Gershwin: Original Works and Transcriptions for Solo Piano

<B>GERSHWIN: Piano Music</B><BR> <I>Rhapsody in Blue</I> (solo piano version by Gershwin); 3 Preludes; "Sleepless Night"; Impromptu in 2 Keys; Song Transcriptions: "Sweet and Low-Down," "Maybe," "Clap Yo' hands," "So am I," "Looking for a Boy," "Someone to Watch Over Me," "That Certain Feeling"; Second Rhapsody (solo piano version by David Buechner)<BR> David Buechner, piano<BR> Connoisseur Society CD 4191 (CD only). Patricia A. Duciaume, eng.; E. Alan Silver, prod. D?D. TT: 59:26

Continue Reading »
Advertisement

Ticket Prices

Stereophile Consulting technical editor Robert Harley and I were walking down Brooklyn's Flatbush Avenue trying to remember where we'd parked our rental car. We were in town for the Fall 1993 Audio Engineering Society Convention, and had just had dinner with record reviewer Beth Jacques.
Continue Reading »

Space...the Final Frontier

High-end audiophiles are space freaks---we relish the warmth and spaciousness of a fine, old performing hall almost as much as we do the music recorded in it. But my attendance at a series of orchestral concerts held last summer brought home to me---as never before---the sad fact that our search for the ultimate soundstage is doomed to failure: we're trying to reproduce three-dimensional space from a two-dimensional system, and it simply can't be done.

Continue Reading »
Advertisement
Advertisement
Advertisement