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People tend to believe that things are what they appear to be. This turned out to be the case in 2016, when Panasonic introduced the limited-edition Technics SL-1200GAE turntable. It appeared almost identical to an SL-1200—arguably the best-selling and most loved record player series of all time, discontinued in 2010 after more than 30 years—but it cost a whopping $4000. The similar model designation didn't help stem the griping that Panasonic had made a "fancy" version of their legendary DJ turntable at six times the price of the original.

On Friday, December 2, Command Performance AV in Falls Church, Virginia, will host a special listening event with Rune Skov, Sales Director of Gryphon Audio Designs.

As a native European, I don't particularly love bubbly people: Too much sugar makes my teeth hurt. I'm sympathetic to my friend Nick, a Brit who reliably bristles when he hears Americans use the word "awesome" for the most mundane things. A slight drop in gas prices? Awesome! How was the meatloaf? Awesome!

It irks him that the words awe and awesome are now nearly divorced. But I like to remind Nick that this hyperpleasant, optimistic American attitude is surely preferable to the alternative.

What does it mean to be Stereophile's Product of the Year? It's an honor, certainly, and probably helps the winner sell more products, but is there anything more we can say about it?

The PotY competition is the culmination of a whole year of the magazine's work, starting with the choice of products to review. Only products we review or consider carefully in a column qualify for the competition, and every product we review is eligible for the competition: We only review products we think will have a decent shot at being among the best.

When scouring the labyrinthine halls of big audio shows for products to review in Stereophile, I use three main markers to determine which rooms to visit: a must-hear designation from Editor Jim Austin; a company or brand whose products always light my fire; and systems fellow Stereophile correspondents have described, in a text or an in-person conversation, as worth checking out. Other times, though, I just follow my nose.

CAF 2022 was fantastic! There were many great sounding rooms, and everyone was in good spirits. Soon after the show kicked off, many rooms became so packed, I couldn't enter. SRO! As always, my eyes and ears bulge to take it all in. CAF organizer and promoter Gary Gill (above) has much to be proud of.

Fidelis Distribution and Heretic Loudspeakers Co. brought their high-sensitivity Heretic AD612 loudspeakers ($9290/pair) to CAF, paired with CEC and Lab 12 equipment.